A work in constant progress (and occasional regress).
Featuring:
Marília Pêra, Paulo José, Zezé Motta
Written by:
Antônio Calmon
Carlos Diegues
Vicente Pereira
Directed by:
Carlos Diegues
Release Date:
March 1, 1989
Original Title:
Dias Melhores Virão
Genres:
Comedy | Drama | Fantasy
Production Companies:
CDK
Embrafilme
Skylight Cinema Foto Art
Production Countries:
Brazil
Ratings / Certifications:
BR: 14
Runtime: 92
Earning her living by dubbing American TV Series, a woman dreams of becoming an international Hollywood star.
In a Brazilian studio where an American TV series is being dubbed to Portuguese, middle-aged Mary Matos dreams of becoming a Hollywood star. Her needy sentimental life is very complex: she lost her first love in a motorcycle accident after making love with him; she has a married lover, Wallace, who promises to move with her to the USA when his children are raised; and she has a brief affair with Pompeu, the studio director. Her neighbor and best friend is Dalila, who has an American boyfriend and pen pal. When Mary sees an advertisement in an American newspaper, looking for an actress with her profile, she decides to take a chance and move to the USA.
Costume Design:
Emilia Duncan
Director:
Carlos Diegues
Director of Photography:
Lauro Escorel
Editor:
Gilberto Santeiro
Executive Producer:
Angelo Gastal
Renata Almeida Magalhães
Makeup & Hair:
Amaro Bezerra
Music:
Rita Lee
Roberto de Carvalho
Producer:
Carlos Diegues
Paulo César Ferreira
Production Design:
Lia Renha
Production Manager:
Flávio Chaves
Screenplay:
Antônio Calmon
Sound:
Jorge Saldanha
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.