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Beyond the Call (1996) [R]

Release Date:
June 23, 1996

Original Title:
Beyond the Call

Genres:
Drama | TV Movie

Production Companies:
Barnstorm Films
Chris/Rose Productions
Hallmark Entertainment

Production Countries:
Canada | United States of America

Ratings / Certifications:
US: R 

Runtime: 101

Overview from TheMovieDB

Russell Gates (David Strahairn) is a Vietnam vet on death row for killing a policeman. His childhood sweetheart, Pam O'Brien (Sissy Spacek), is stunned to learn this and does not believe he could commit such a crime. She writes to him much to the dismay of her husband Keith and becomes obsessed with the case, exploring every avenue that may still be open to the doomed man. The trips to the prison take a toll on both her marriage and her family.

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Performers

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Production

ADR Mixer:
Derek Marcil

ADR Supervisor:
Danielle Ghent

Art Department Coordinator:
Bev Bailey

Art Direction:
Karen M. Clark

Assistant Accountant:
Andrea H. Greaney

Assistant Costume Designer:
Christopher Hargadon

Assistant Editor:
Maria Montoreano

Assistant Location Manager:
Melody Comrie

Assistant Property Master:
Mark Harman

Assistant Set Dresser:
Ken Clark

Best Boy Electric:
Paul Spaven

Best Boy Grip:
Christopher Nethercoat

Boom Operator:
Jim Thompson
Denis Bellingham

Camera Trainee:
Gottfried Pflugbeil

Casting:
Beth Klein
Jon Comerford

Casting Associate:
Michelle Lang

Clapper Loader:
Jeremy Tabarrok

Color Timer:
Dennis McNeill

Construction Coordinator:
Donald Vandewater

Continuity:
Gerald Kantor

Costume Assistant:
Carl Docherty

Costume Design:
Lynne MacKay

Costume Supervisor:
Cori Burchell

Dialogue Editor:
Louis Creveling
David Grant
Paul Longstaffe
Steve Scoville

Director:
Tony Bill

Director of Photography:
Jean Lépine

Dolly Grip:
Ron Renzetti

Editor:
Axel Hubert

Electrician:
Brian Woodroof

Executive Producer:
Robert W. Christiansen
Rick Rosenberg

Extras Casting:
Donna Dupere

First Assistant Director:
David McAree

Focus Puller:
Dave Sheridan

Foley Artist:
Catherine Harper
Ossama Khuluki
Diane Marshall

Foley Editor:
Richard Goulin
Laura Laird

Foley Mixer:
Steve Heinke
Lucy Sustar

Gaffer:
Jean Courteau

Generator Operator:
Bob Rodgers

Grip:
Hugh Brule

Head Carpenter:
Donal O'Donoghue

Key Grip:
Randy Tambling

Key Hair Stylist:
Paul R.J. Elliot

Key Makeup Artist:
Katherine Southern

Key Scenic Artist:
Reet Puhm

Line Producer:
Christopher J. Danton

Location Manager:
Glenn Carter

Location Scout:
Christopher Welch

Makeup & Hair:
Bob Harper
Sally J. Harper

Music Producer:
Spencer Proffer

Original Music Composer:
George S. Clinton

Post Production Accountant:
Sonia Grazian

Post Production Assistant:
Liora Grimm

Post Production Coordinator:
Cynthia Nicolella
David Bailey

Post Production Supervisor:
Tim King

Producer:
Tony Bill
Helen Buck Bartlett
Doug Magee

Production Accountant:
Andrew Nicholson

Production Coordinator:
Kristine M. Gilbert

Production Design:
Jeff Ginn

Production Executive:
Patrick Whitley

Production Secretary:
Randy Kumano

Production Sound Mixer:
David Lee
Peter Shewchuk

Property Master:
Greg Pelchat

Script Supervisor:
Elaine Yarish

Second Assistant Director:
Cathie McGaw

Set Buyer:
Michael Yerex

Set Decoration:
Sean Kirby

Sound Effects Editor:
Cormac Funge
David Melhase
James A. Williams

Sound Re-Recording Mixer:
John Ross
Derek Marcil

Sound Supervisor:
Marc Vanocur

Special Effects Coordinator:
Michael Kavanagh

Steadicam Operator:
Andris Matiss

Still Photographer:
Marni Grossman

Stunt Coordinator:
Shane Cardwell

Stunts:
Danny Lima
Erin Darvis
Shane Cardwell

Third Assistant Director:
Jonathan Wright

Transportation Captain:
Stuart Hughes

Transportation Coordinator:
Wilfred Bell

Unit Production Manager:
Christopher J. Danton

Writer:
Doug Magee

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.