A work in constant progress (and occasional regress).
Release Date:
December 16, 1987
Original Title:
グッドモーニング・アルテア
Alternate Titles:
グッドモーニング アルテア
굿모닝 알테아
Genres:
Animation | Science Fiction
Production Companies:
Animate Film
movic
Production Countries:
Japan
Ratings / Certifications:
N/A
Runtime: 52
The story revolves around Nikolai, apparently a part-cyborg; Galory, a young boy who apparently is part human/part Crest person, and Althea, who is entirely a Crest person. Seems the Earth and the Crest people were at war for 300 years so there's still a lot of bad feelings present. The ship Galory, Nikolai and others are on is ambushed and almost everyone killed by some kind of automated attack ships from a huge Crest ship that has been taken over by an automaton. Galory, Nikolai and Althea go to the ship to try and see if there are any survivors of an advanced party from Galory's ship that can be saved, and to see if they can destroy the Type 38 automaton in the ship's core.
Character Designer:
Michitaka Kikuchi
Director:
Hideki Tonokatsu
Key Animation:
Atsushi Yano
Original Story:
Ichiro Itano
Takehiko Itō
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.