A work in constant progress (and occasional regress).
Release Date:
March 31, 2000
Original Title:
Whatever It Takes
Alternate Titles:
Cueste lo que cueste
La Chica de Mis SueƱos
Genres:
Comedy | Drama | Romance
Production Companies:
Columbia Pictures
Phoenix Pictures
Production Countries:
United States of America
Ratings / Certifications:
DE: 12 HU: 16 KR: 15 US: PG-13
Runtime: 94
A nerdy teen, Ryan Woodman is smitten with the popular and gorgeous Ashley Grant, who apparently has no interest in him. Meanwhile, dim star athlete Chris Campbell has his eye on Ryan's brainy and beautiful friend, Maggie Carter. The two agree to help each other in their romantic quests, but, as they come closer to their goals, both Ryan and Chris suspect that they might be pursuing the wrong girls.
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Art Direction:
Alan E. Muraoka
Casting:
Randi Hiller
Co-Producer:
Matt Berenson
Mark Schwahn
Costume Design:
Leesa Evans
Dialogue Editor:
Patrick J. Foley
Lauren Stephens
Director:
David Raynr
Director of Photography:
Tim Suhrstedt
Editor:
Ronald Roose
Executive Producer:
William H. Brown
Vicki Dee Rock
Music Editor:
Jonathan Karp
Daryl B. Kell
Music Supervisor:
Amanda Scheer-Demme
Original Music Composer:
Edward Shearmur
Producer:
Paul Schiff
Production Design:
Edward T. McAvoy
Property Master:
Mychael Bates
Script Supervisor:
Kim Berner
Second Assistant Director:
Christina Fong
Set Decoration:
Debra Echard
Sound Effects Editor:
Hector C. Gika
Scott Sanders
Bryan Bowen
Randy Kelley
Sound Mixer:
Steve Cantamessa
Sound Re-Recording Mixer:
Brad Sherman
Melissa Sherwood Hofmann
Sound Recordist:
Drew Webster
Special Effects Key Makeup Artist:
Clinton Wayne
Steadicam Operator:
Peter Jensen
Still Photographer:
Frank Masi
Stunt Coordinator:
John Robotham
Stunt Double:
Joey Box
Stunts:
Sandy Berumen
Jeannie Epper
Eileen Weisinger
Tabby Hanson
Supervising Sound Editor:
Greg Hedgepath
Writer:
Mark Schwahn
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.