A work in constant progress (and occasional regress).
Release Date:
August 18, 2005
Original Title:
Look Both Ways
Alternate Titles:
Mirar a ambos lados
Genres:
Drama | Romance
Production Companies:
Hibiscus Films
Production Countries:
Australia
Ratings / Certifications:
N/A
Runtime: 100
During one unusually hot weekend, four friends struggle after hearing some life-changing news.
2D Artist:
Dominic Hellier
3D Animator:
Paul Buckley
Animation:
Sarah Watt
Claire Callinan
Art Direction:
Simon McCutcheon
Associate Producer:
Vicki Sugars
Barbara Masel
Casting:
Angela Heesom
Continuity:
Mojgan Khadem
Costume Designer:
Edie Kurzer
Dialogue Editor:
Tony Young
Ashley Klose
Director:
Sarah Watt
Director of Photography:
Ray Argall
Editor:
Denise Haratzis
Executive Producer:
Andrew Myer
First Assistant Director:
Chris Odgers
Graphic Designer:
Zoe Atkinson
Hair Supervisor:
Tracy Phillpot
Location Manager:
Sarah Abbey
Makeup Supervisor:
Tracy Phillpot
Music:
Amanda Brown
Music Supervisor:
Julie Hodges
Post Production Supervisor:
Maryjeanne Watt
Producer:
Bridget Ikin
Production Coordinator:
Claire Hall
Production Design:
Rita Zanchetta
Production Manager:
Leone Cichon
Scoring Mixer:
Shane O'Mara
Script Editor:
Barbara Masel
Second Assistant Director:
Clair Parker
Second Unit Director:
Laurie McInnes
Set Decoration:
Toni Forsyth
Sound Designer:
Andrew Plain
Sound Effects Editor:
Ashley Klose
Linda Murdoch
Michael McMenomy
Sound Mixer:
Pete Smith
Sound Recordist:
Toivo Lember
Special Effects Supervisor:
Peter Stubbs
Stunt Coordinator:
Mitch Deans
Thanks:
Joan Scheckel
Third Assistant Director:
Brad Lanyon
Title Designer:
Rita Zanchetta
Visual Effects Designer:
Peter Webb
Visual Effects Producer:
Ineke Majoor
Peter Webb
Wardrobe Supervisor:
Mariot Kerr
Writer:
Sarah Watt
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.