A work in constant progress (and occasional regress).
Release Date:
July 31, 1998
Original Title:
Phantasm IV: Oblivion
Alternate Titles:
Das Böse 4
Das Böse 4 - Phantasm IV
Das Böse IV
Phantasm IV: Infinity
Phantasm: OblIVon
Phantasma IV: Apocalipsis
Genres:
Horror | Science Fiction
Production Companies:
Starway International Inc.
Production Countries:
United States of America
Ratings / Certifications:
CA: R DE: 16 GB: 15 US: R
Runtime: 90
Taking off immediately where the last one ended, in this episode Mike travels across dimensions and time fleeing from the Tall Man, at the same time he tries to find the origins of his enemy, and what really happened the night that his brother died. Meanwhile, Reggie battles the spheres and the undead in a quest to find Mike before the Tall Man can complete his transformation.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
3D Animator:
Alex Harman
ADR Editor:
Michael Kreple
ADR Supervisor:
Michael Kreple
Art Direction:
Mike Roth
Assistant Editor:
Bobby Gates
Donald Milne
Best Boy Electric:
Daniel Vecchione
Boom Operator:
Stud Brentler
Chief Lighting Technician:
Adam Janeiro
Peyton Skelton
Color Timer:
Jim J. Williams
Compositor:
Robin Berman
Costume Design:
Shelley Kay
Costumer:
Kristen Deem
Dialogue Editor:
Bryan Franklin
Director:
Don Coscarelli
Director of Photography:
Chris Chomyn
Dolby Consultant:
Andy Potvin
Editor:
Scott J. Gill
First Assistant Camera:
Joe Waistell
Precy C. Betiong
First Assistant Director:
Jeff Shiffman
Foley Artist:
Greg Louden
Rick Owens
Foley Editor:
Greg Mauer
Foley Recordist:
Greg Mauer
Hair Department Head:
Soo-Jin Yoon
Key Grip:
Dan Trachtenberg
Lead Animator:
David Merrell
Makeup Artist:
Melanie Marangakis
Makeup Department Head:
Soo-Jin Yoon
Music Editor:
Jon Lewin
Original Music Composer:
Christopher L. Stone
Producer:
A. Michael Baldwin
Don Coscarelli
Production Assistant:
Starlet Derby
Sara McCaffree
Christopher Malinowski
David Sharlein
Production Coordinator:
Jason R. Savage
Production Design:
Naython Vane
Property Master:
Kristen Deem
Pyrotechnician:
Gary Beal
Script Supervisor:
Kristen Deem
Second Assistant Camera:
Justin Zaharczuk
Sound Effects Editor:
Steve Tushar
Sound Mixer:
Enzo Treppa
Sound Re-Recording Mixer:
Jonathan Wales
Paul Ratajczak
Sound Supervisor:
Paul Ratajczak
Special Effects Coordinator:
Kamar Bitar
Chiz Hasegawa
Steadicam Operator:
Colin Hudson
Dan Ayers
Still Photographer:
Scott Redinger-Libolt
Stunt Coordinator:
Bob Ivy
Supervising Sound Editor:
Jonathan Wales
Telecine Colorist:
Robert Tomaszewski
Unit Production Manager:
Rosa Gonzalez
Writer:
Don Coscarelli
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.