A work in constant progress (and occasional regress).
Release Date:
January 6, 2013
Original Title:
Molly Maxwell
Genres:
Drama
Production Companies:
Canadian Film Centre (CFC)
Production Countries:
Canada
Ratings / Certifications:
CA: 14A US: PG-13
Runtime: 91
At Phoenix Progressive School, students take notes lying on parlor couches and are encouraged to explore their gifts through electives like break-dancing and graphic-novel writing. In the midst of all this liberal pedagogy and budding talent, Molly Maxwell feels unexceptional, until she falls for her attractive English teacher, Ben.
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Art Direction:
Anahita Dehbonehie
Assistant Art Director:
Mong Tho Mach
Assistant Sound Editor:
Jonathan Evan Grant
Boom Operator:
Dennis Alexander Nicholson
Alex van der Meulen
Derek Oxley
Alexander Turner
Huan Nguyen
Casting:
Sara Kay
Jenny Lewis
Costume Design:
Sarah Millman
Dialogue Editor:
Geoff Raffan
Director:
Sara St. Onge
Director of Photography:
Catherine Lutes
Editor:
Stephen Philipson
Executive Producer:
Justine Whyte
First Assistant Camera:
Michael Bailey
Jonathan Staav
First Assistant Director:
David Sparkes
First Assistant Editor:
Kristin Waterson
Gaffer:
Edwin Lau
Grip:
Brad Sayeau
Key Grip:
Andrew Tays
Key Hair Stylist:
Jessica Shannon
Key Makeup Artist:
Kristin Wayne
Music Supervisor:
Paul Aucoin
Producer:
Mark Van de Ven
Aeschylus Poulos
John Nadalin
Production Coordinator:
Joe Alonzi
Production Design:
Adam William Wilson
Production Manager:
Jordan Gross
Property Master:
Sam Pryce-Phillips
Script Supervisor:
Jordan Canning
Second Assistant Director:
Robert Glover
Set Decoration:
Jennifer Marie Thomas
Set Dresser:
Tisha Myles
Spencer Hahn
Rachel Mathews
Sound Effects Editor:
Josh Machado
Sound Mixer:
David Ottier
Steadicam Operator:
Brad Hruboska
Kevin Packer
Unit Publicist:
Cynthia Amsden
Writer:
Sara St. Onge
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.