Home

We Are What We Are (2013) [R]

Release Date:
September 27, 2013

Original Title:
We Are What We Are

Alternate Titles:
Ritual Sangriento
Somos lo que Hay
Somos lo que somos

Genres:
Drama | Horror | Thriller

Production Companies:
Belladonna Productions
Memento Films International
Paradise City
The Zoo
Uncorked Productions
Venture Forth
We Are What We Are

Production Countries:
France | United States of America

Ratings / Certifications:
DE: 16  ES: 18  GB: 18  IE: 18  US: R 

Runtime: 105

Blood is the strongest bond.

Overview from TheMovieDB

The Parkers, reclusive people who cling to ancient customs, find their secret lives threatened when a torrential downpour and the death of the family matriarch forces daughters Iris and Rose to assume special responsibilities.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Trailer

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Performers

Click the heading above to show or hide the list.

Production

"B" Camera Operator:
Bobby Boothe

ADR Editor:
David Briggs

Additional Visual Effects:
David Isyomin

Art Direction:
Ada Smith

Assistant Costume Designer:
Samantha Hawkins

Assistant Editor:
Aaron Crozier

Assistant Property Master:
Bridget Rafferty

Assistant Sound Editor:
Alex Soto

Associate Producer:
James Oakley

Best Boy Electric:
Peter Milmoe

Best Boy Grip:
Bert Montanari

Boom Operator:
Dmitry Volovik

Casting:
Stephen Vincent
Sig De Miguel

Co-Producer:
Nicholas Kaiser

Costume Design:
Elisabeth Vastola

Dialogue Editor:
Jac Rubenstein

Director:
Jim Mickle

Director of Photography:
Ryan Samul

Editor:
Jim Mickle

Executive Producer:
Emilie Georges
Tanja Meissner
Brett Fitzgerald
Mo Noorali
Rene Bastian
Jacob Pechenik

First Assistant "A" Camera:
Keith Hueffmeier

First Assistant "B" Camera:
Corey Gegner
Filipp Penson

First Assistant Director:
Joseph Ciccarella

Foley Artist:
Shaun Brennan

Foley Editor:
Tom Ryan
Wen-Hsuan Tseng
Linzy Elliot

Foley Recordist:
Tom Ryan
Wen-Hsuan Tseng

Gaffer:
Dan Gartner

Hair Department Head:
Cynthia Vanis

Key Grip:
John Shim

Line Producer:
Lizz Morhaim

Makeup Department Head:
Jessica Kelleher

Original Music Composer:
Jeff Grace
Phil Mossman
Darren Morris

Producer:
Andrew Corkin
Nicholas Shumaker
Rodrigo Bellott
Jack Turner
Linda Moran

Production Design:
Russell Barnes

Property Master:
Jessie Katz

Script Supervisor:
Zorinah Juan-Lieber

Second Assistant "A" Camera:
Steven McLaurin

Second Assistant "B" Camera:
Brett Checkelsky

Second Assistant Director:
Melinda Ziyadat

Second Second Assistant Director:
Darryl Prevost

Second Unit Director:
Eric Stanze

Second Unit Director of Photography:
Bobby Boothe

Set Decoration:
Daniel R. Kersting

Set Dresser:
Alan Dickson
Janelle Jones

Sound Editor:
Wen-Hsuan Tseng
Linzy Elliot
Jerrell Suelto

Sound Effects Editor:
Alex Soto
Max Greene

Sound Mixer:
Michael Sterkin

Sound Re-Recording Mixer:
Lewis Goldstein

Special Effects Makeup Artist:
Brian Spears

Still Photographer:
Yoon Kim

Stunt Coordinator:
Anthony Vincent
Jared Burke

Stunts:
Stefanie Flores

Supervising Sound Editor:
Lewis Goldstein

Unit Production Manager:
Stephanie Blackwood

Visual Effects:
Jim Mickle

Wardrobe Supervisor:
Amanda Williams

Writer:
Nick Damici
Jim Mickle

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.