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The Rover (2014) [R]

Release Date:
June 4, 2014

Original Title:
The Rover

Alternate Titles:
El Cazador
El cazador
La traque
Országúti bosszú
Rover
The Rover: A Caçada
Tulák
Бродяга
Волоцюга
Мандрівник
Ровер
漂泊者
绝命正义
더 로버

Genres:
Crime | Drama

Production Companies:
Blue-Tongue Films
Lava Bear Films
Porchlight Films
Screen Australia
Screen NSW
South Australian Film Corporation

Production Countries:
Australia

Ratings / Certifications:
AR: 16  AU: MA15+  BR: 16  CA: 14A  CH: 16  CL: 14  DE: 16  DK: 15  ES: 16  FR: 12  GB: 15  GR: 16  HU: 16  IE: 16  IT: VM14  JP: R15+  KR: 18  NL: 16  NO: 15  NZ: 16  SE: 15  US: R 

Runtime: 103

Fear the man with nothing left to lose.

Overview from TheMovieDB

Ten years after a severe economic collapse in the western world, lawlessness reigns and life is cheap. Eric is a lone drifter, and his car is his only possession. When a gang steals it, Eric comes across the injured Rey, left behind by the car thieves. The pair form an unlikely and uneasy alliance.

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Additional information:

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Performers

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Production

ADR Recordist:
Diego Ruiz

Additional Grip:
Michael Larcombe

Armorer:
Scott Warwick

Art Department Coordinator:
Leanne Brooks

Art Direction:
Tuesday Stone

Assistant Production Coordinator:
Hannah Andrews
Megan Huitema

Assistant Sound Editor:
Thom Kellar

Best Boy Electrician:
Viliami Topui

Best Boy Grip:
Andrew Glasser

Boom Operator:
Marco Arlotta

CG Artist:
Jeff Driver
John Stanley McGovern

Casting:
Kirsty McGregor

Casting Assistant:
Elisabeth Pidgeon

Clapper Loader:
Jack Mayo

Compositor:
Troy Darben
Brad Dunn
Hannah Groff
Matt Greig
Alex Lay
Norah Mulroney
Kazia Roach

Costume Design:
Cappi Ireland

Costume Supervisor:
Olivia Iacobelli

Digital Intermediate:
Matthew T. Griffin

Digital Intermediate Colorist:
Trish Cahill

Digital Intermediate Editor:
Jolayne Crabbe

Digital Intermediate Producer:
Katherine Heads

Director:
David Michôd

Director of Photography:
Natasha Braier

Dolby Consultant:
Bruce Emery

Dolly Grip:
Brett McDowell

Editor:
Peter Sciberras

Executive Producer:
Adam Rymer
Glen Basner
Alison Cohen
Tory Metzger
Anita Sheehan
Vincent Sheehan
Nina Stevenson

Extras Casting Coordinator:
Trish Ostigh

First Assistant "A" Camera:
David Elmes

First Assistant Accountant:
Mark Kraus
Tu Nhi Lam

First Assistant Director:
Deborah Antoniou

First Assistant Editor:
Basia Ozerski

Focus Puller:
Paul Shakeshaft

Foley:
Martin Oswin

Foley Artist:
Les Fiddess

Foley Supervisor:
Les Fiddess

Gaffer:
Michael Adcock

Grip:
Mark Brown
Ryan Kelsey
Aron Walker

Hairstylist:
Fiona Rees-Jones

Key Grip:
David Nichols

Location Manager:
Mark Evans

Makeup & Hair:
Zeljka Stanin
Sheldon Wade

Makeup Department Head:
Fiona Rees-Jones

Music Supervisor:
Jemma Burns

Musician:
Peter Boyd
Paul Cutlan
Thom Kellar
Ian Cooper

Original Music Composer:
Antony Partos

Post Production Assistant:
Billie Egan

Producer:
David Linde
David Michôd
Liz Watts

Production Accountant:
Kylie Muller

Production Assistant:
Kathleen Haynes

Production Coordinator:
Alex Fewster

Production Design:
Josephine Ford

Production Runner:
Shannon Crotty
Stephen Ehrler
John Murphy
Jon Lontos

Publicist:
Fiona Nix
Paul Pflug

Screenplay:
David Michôd

Script Consultant:
Duncan Thompson

Script Supervisor:
Mojgan Khadem

Second Assistant Director:
Betty Fotofili

Set Decoration:
Jennifer Drake

Sound Designer:
Sam Petty

Sound Effects Editor:
Francis Ward Lindsay
Brooke Trezise

Sound Re-Recording Mixer:
Robert Mackenzie
Sam Petty

Sound Recordist:
Des Kenneally

Special Effects Supervisor:
Angelo Sahin

Special Effects Technician:
Dean Franklin
Adrian Seabert

Stand In:
Chris Goodall
Staten Evans

Steadicam Operator:
Peter McCaffrey

Still Photographer:
Tony Mott
Matt Nettheim

Story:
David Michôd
Joel Edgerton

Supervising Dialogue Editor:
Justine Angus

Supervising Sound Editor:
Sam Petty

Thanks:
James Gray

Unit Medic:
Katie Harris

Video Assist Operator:
Michael Taylor

Visual Effects Producer:
Jason Bath

Visual Effects Supervisor:
Dave Morley

Vocals:
Rose Grayson

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.