A work in constant progress (and occasional regress).
Release Date:
January 23, 2004
Original Title:
If Only
Alternate Titles:
Al final del día
Antes Que Termine o Dia
Antes que termine el día
If only - Rendezvous mit dem Schicksal
Láska na druhý pokus
Un Regalo de Corazon
Un Regalo del Corazón
Στη Σκιά του Ερωτα
이프 온리
Genres:
Drama | Fantasy | Romance
Production Companies:
Bondesen-Graup
Box Film
If Only Production Services Ltd.
Intermedia
Love Spell Entertainment
Outlaw Productions
Tapestry Films
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
AT: 6 BR: 12 DE: 6 FR: U KR: 12 NL: AL US: PG-13
Runtime: 92
After his impetuous musician girlfriend, Samantha, dies in an accident shortly after they had a fight (and nearly broke up), a grief-stricken British businessman, Ian Wyndham, living in London gets a chance to relive the day all over again, in the hope of changing the events that led up to her getting killed.
Art Direction:
Mark Raggett
Casting:
Priscilla John
Casting Director:
Victoria Burrows
Co-Executive Producer:
Jeffrey Graup
Co-Producer:
Laurie Borg
Scott Strauss
Costume Designer:
Odile Dicks-Mireaux
Director:
Gil Junger
Director of Photography:
Giles Nuttgens
Editor:
Padraic McKinley
William M. Anderson
Executive Producer:
Gub Neal
Basil Iwanyk
Moritz Borman
First Assistant Director:
Deborah Saban
Foley Artist:
Ruth Sullivan
Makeup & Hair:
Ameneh Mahloudji
Elizabeth Yianni-Georgiou
Original Music Composer:
Adrian Johnston
Producer:
Jill Gilbert
Jennifer Love Hewitt
Gil Junger
Robert F. Newmyer
Jeffrey Silver
Production Design:
Joseph Bennett
Props:
Les Benson
Screenplay:
Christina Welsh
Second Assistant Director:
Olivia Lloyd
Set Decoration:
Rebecca du Pont de Bie
Sound Re-Recording Mixer:
Mike Prestwood Smith
Stunts:
Jo McLaren
Unit Production Manager:
Rachel Neale
Visual Effects Supervisor:
Brian Jennings
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.