A work in constant progress (and occasional regress).
Release Date:
December 12, 2025
Original Title:
Episode
Genres:
Comedy | Drama | Science Fiction
Production Companies:
Biola University
Production Countries:
United States of America
Ratings / Certifications:
N/A
In order to escape the reality of his depressive state, a man imagines his life as a goofy Seinfeld-esque 90s sitcom. But when the lines between reality and fantasy are blurred, his double life begins to crumble.
Art Direction:
KG McLaughlin
Assistant Camera:
Cyris Filoteo
Lucas Angelone
Eli Kurtz
Zack Bastinelli
Grace Kling
Assistant Director:
Ben Cordner
Connor Klebs
Lauren Seeba
BTS Footage:
Ethan Hewitt
Gabe Constante
BTS Videographer:
Zac Siewert
Best Boy Electric:
Tina Montague
Logan Langevin
Diego Becerra
Boom Operator:
Rachel Chidester
Lindsey Harper
Camera Operator:
James Dick
Graham Young
Casting:
Johnny Hanford
Construction Grip:
Caiden Pantanini
Construction Manager:
Jacob Lancaster
Costume Designer:
Camryn Bousman
Director:
Zane Kalani Kuljian
Director of Photography:
Perrin Mullinax
Liam Caldwell
Dolly Grip:
Nik Bizub
Executive Producer:
Dean Yamada
Anna Zielinski
Gaffer:
Gavin Sayles
Graphic Designer:
Claire Bailey
Grip:
Chris Meneghini
Ethan Hasse
Key Grip:
Jay Gonzalez
Key Production Assistant:
Gabe Noel
Lead Editor:
Caleb Wenz
Music Supervisor:
Jack Griffin
Producer:
Isaac Harry
Rylie Edwards
Production Assistant:
Louis Green
Production Design:
Bella Greer
Props:
Addy Carmack
Script:
Collin Mayo
Script Coordinator:
Collin Mayo
Script Supervisor:
Collin Mayo
Set Decoration:
Lauren Jensen
Hudson Mayne
Sound:
Isabelle Fisher
Sound Mixer:
Jack Griffin
Sound Post Supervisor:
John Benjamin Terrell
VFX Supervisor:
Tristan Schlosser
Wardrobe Assistant:
Joceline Lie
Writer:
Zane Kalani Kuljian
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.