A work in constant progress (and occasional regress).
Release Date:
December 27, 2012
Original Title:
Doce de Mãe
Genres:
Comedy | Drama | Family
Production Companies:
Casa de Cinema de Porto Alegre
Globo Filmes
Production Countries:
Brazil
Ratings / Certifications:
BR: L
Runtime: 71
Picucha may seem old-fashioned, but she has modern ideas and a great sense of humor. As the matriarch of a big family, she is involved in the daily lives of her children, grandchildren and other relatives. Undeterred by the typical problems of old age, she uses her many years of experience to solve problems in the best way possible.
Art Direction:
Fiapo Barth
Assistant Camera:
Carolina Linera Krebs
Assistant Editor:
Germano de Oliveira
Assistant Makeup Artist:
Deby Marques
Camera Operator:
Fernanda Tanaka
Continuity:
Rafael Sapo
Costume Design:
Rosângela Cortinhas
Digital Compositor:
Cristian Slavik
Rafael Haddad
Gustavo Schiapim
Daniel T. Müller
Director:
Jorge Furtado
Ana Luíza Azevedo
Director of Photography:
Alex Sernambi
Editor:
Giba Assis Brasil
Executive Producer:
Nora Goulart
First Assistant Camera:
William Paccini
First Assistant Director:
Janaína Fischer
Foley Artist:
Felipe Burger Marques
Foley Editor:
Waleska Sartori
Line Producer:
Glauco Urbim
Makeup Department Head:
Britney Federline
Music:
Maurício Nader
Music Director:
Maurício Nader
Producer's Assistant:
Marcos Rohrig
Production Manager:
Glauco Urbim
Screenplay:
Miguel da Costa Franco
Jorge Furtado
Ana Luíza Azevedo
Second Assistant Camera:
Luciana Baseggio
Second Assistant Director:
Sara Valar
Sound Re-Recording Mixer:
Ricardo Costa
Supervising Sound Editor:
Kiko Ferraz
Video Assist Operator:
Tiago de Tarso
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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