A work in constant progress (and occasional regress).
Release Date:
November 2, 1984
Original Title:
The Rosebud Beach Hotel
Genres:
Comedy
Production Companies:
Almi Pictures
Ratings / Certifications:
US: R
Runtime: 83
After taking over a failing Miami hotel with her workaholic fiancé, Elliot, Tracy thinks Liza has seduced her better half-to-be. She then tries to have an affair of her own, and arranges for hookers to become bellhops. Meanwhile, her rich daddy hires an inept arsonist to blow up the place.
Assistant Art Director:
Dave Nelson
Associate Producer:
William Tasgal
Best Boy Electric:
James R. Tynes
Best Boy Grip:
Joseph Matlock
Boom Operator:
Barry Bookin
Director:
Harry Hurwitz
Director of Photography:
João Fernandes
Editor:
Daniel Loewenthal
Electrician:
Chantal Jacob
John 'Fest' Sandau
Edward S. Hyatt
Executive Producer:
Michael S. Landes
Stephen Chrystie
Extras Casting:
Laura Lee Kasten
First Assistant Camera:
S. Phillip Sparks
First Assistant Director:
James Lansbury
Gaffer:
Bob Good
Grip:
Erik Highman
Hairstylist:
Kathy W. Estocin
Key Grip:
Merlin E. Cook
Location Manager:
Pamela Carter
Makeup Artist:
Cynthia Cruz
Original Music Composer:
Jay Chattaway
Producer:
Irving Schwartz
Harry Hurwitz
Production Design:
Peter Knowlton
Production Manager:
William Tasgal
Property Master:
Bob Danyla
Screenplay:
Harry Narunsky
Irving Schwartz
Thomas Rudolph
Script Supervisor:
Alessandra Mazzola
Second Assistant Art Director:
Chris Joachims
Second Assistant Camera:
Steve Barnes
Second Assistant Director:
Christopher Gaw
Sound Editor:
Vanessa Procopio
Sound Effects Editor:
Tony Martinez
Sound Mixer:
James Thornton
Sound Re-Recording Mixer:
Michel Carton
Special Effects:
Adams Calvert
Still Photographer:
Larry Secrist
Supervising Sound Editor:
Richard King
Title Designer:
Jose Gallardo
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.