A work in constant progress (and occasional regress).
Release Date:
August 10, 1990
Original Title:
Flatliners
Alternate Titles:
Comatoşii
Elumängud
Inn i det ukjente
L'Expérience interdite
Línea Mortal
Línea mortal
Raja tuntemattomaan
Tanka linija smrti
Φλατλάινερς: Ταξιδιώτες στην Αλλη Ζωή
Φλατλάινερς: Ταξιδιώτες στην άλλη ζωή
유혹의 선
Genres:
Drama | Horror | Science Fiction
Production Companies:
Columbia Pictures
Stonebridge Entertainment
Production Countries:
United States of America
Ratings / Certifications:
AU: M CZ: 18+ DE: 16 ES: 16 FR: 12 GB: 15 GR: 15 HU: 18 IE: 15 JP: G KR: 19 NL: 12 PT: M/18 SE: 15 US: R
Runtime: 115
Five medical students want to find out if there is life after death. They plan to stop one of their hearts for a few seconds, thus simulating death, and then bring the person back to life.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Editor:
Petra Bach
ADR Mixer:
Ed Golya
Additional Editing:
Jim Prior
Art Department Assistant:
Laurence Byrne
Art Direction:
Jim Dultz
Assistant Accountant:
Marsha Zvonkin
Assistant Camera:
Lou Weinert
Assistant Editor:
Pattye Rogers
Assistant Production Coordinator:
Tammy Karabas
Assistant Property Master:
Michael R. Gannon
Assistant Sound Editor:
Angie Luckey
Best Boy Electric:
Ted J. Kredo
Best Boy Grip:
Nathaniel James Dunn
Boom Operator:
Geoffrey Patterson
Camera Operator:
Michael Scott
Casting:
Mali Finn
Casting Assistant:
Megan McConnell
Chief Lighting Technician:
Ed Ayer
Color Timer:
Phil Hetos
Conductor:
Marty Paich
Construction Coordinator:
Greg John Callas
Construction Foreman:
Richard Hoffenberg
Costume Design:
Susan Becker
Costume Supervisor:
Rosemarie Fall
Craft Service:
Ramon Pahoyo
Director:
Joel Schumacher
Director of Photography:
Jan de Bont
Editor:
Robert Brown
Electrician:
Moose Enright
Executive Producer:
Scott Rudin
Michael I. Rachmil
Peter Filardi
Extras Casting:
Barbara L. Roche
First Assistant Camera:
Cal Roberts
First Assistant Director:
John T. Kretchmer
Foley Artist:
John Roesch
Foley Mixer:
Greg Orloff
Foley Recordist:
Carolyn Tapp
Hairstylist:
Yolanda Toussieng
Key Grip:
Gene Kearney
Location Manager:
Jacolyn Baker
Makeup Artist:
Ve Neill
Makeup Effects:
Michael Burnett
Music Editor:
Jim Weidman
Music Supervisor:
Richard Rudolph
Negative Cutter:
Gary Burritt
Original Music Composer:
James Newton Howard
Post Production Supervisor:
Chantal Feghali
Producer:
Michael Douglas
Rick Bieber
Production Accountant:
Ray Zimmerman
Production Assistant:
Rocky Buzzini
Production Coordinator:
Shari Leibowitz
Production Design:
Eugenio Zanetti
Production Sound Mixer:
David MacMillan
Property Master:
William A. Petrotta
Publicist:
Susan Trembly
Scenic Artist:
Michael Denering
Script Supervisor:
Pamela Alch
Second Assistant Camera:
Steve Adcock
Second Assistant Director:
Gary Schilz
Set Costumer:
Marlene Hajdu
Set Decoration:
Anne Kuljian
Set Designer:
Stephen Homsy
Sound Editor:
Paul Timothy Carden
Sound Mixer:
Shawn Murphy
Sound Recordist:
Anna Behlmer
Special Effects Technician:
Richard L. Hill
Still Photographer:
Christine M. Loss
Stunt Coordinator:
Bill Erickson
Stunt Double:
Rick LeFevour
Larry Nicholas
Bobby Porter
Supervising Sound Editor:
Charles L. Campbell
Richard C. Franklin
Transportation Captain:
Martin T. Hill
Transportation Co-Captain:
William F. Hogan
Transportation Coordinator:
Armand Paoletti
Unit Production Manager:
Stephen McEveety
Visual Effects Supervisor:
Peter Donen
Writer:
Peter Filardi
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.