A work in constant progress (and occasional regress).
Release Date:
July 20, 2025
Original Title:
Life In The Real World
Genres:
Thriller
Production Companies:
Emerson Independent Video
Ratings / Certifications:
N/A
Runtime: 11
Shackled to his 9-5, a narrow-minded man is tormented by mysterious forces in his office cubicle while trying to complete his daily work duties.
ADR Mixer:
Sandro Mercado
Art Department Assistant:
Stephany Gonzalez
Claudia Pak
Assistant Director:
Alani Espinosa
Assistant Editor:
Mia Cantacesso
Associate Producer:
Tyler Metcalf
Riley Miles
BTS Photographer:
Kaileigh Clark
Boom Operator:
Jamieson Curley
Camera Production Assistant:
Caleb Van Epps
Colorist:
Jalil Naderi
Costume Designer:
Raelyn Brummitt
Director:
Chester Deorocki
Director of Photography:
Miles Katz
Editor:
Chester Deorocki
Ebba Karlsson
Executive Producer:
Chester Deorocki
Sam Barbagallo
Julia Giordano
Katie Collazos
First Assistant Camera:
Lorca Danziger
Foley Artist:
Jocelyn Cohen
Gaffer:
Max Domel
Graphic Designer:
Jules Saggio
Justin Angarrone
Grip:
Aidan Sparks
Key Grip:
Lowin Farrell
Makeup & Hair:
Nattanan Jaraschatrkaew
Music:
Kendall Ramsay
Rio Dolmetsch
Producer:
Aadi Sinha
Chester Deorocki
Sam Barbagallo
Julia Giordano
Katie Collazos
Production Assistant:
Jaden Jung
Production Designer:
Elissa Lowry
Production Manager:
Julia Giordano
Script Supervisor:
Kate Slade
Second Assistant Camera:
Michael Latshaw
Second Assistant Director:
Doğu Budak
Sound Designer:
Aadi Sinha
Sound Recordist:
Haven Hitchcock
Story:
Sam Barbagallo
Stunt Coordinator:
Samuel Ricot
Matthew Leclerc
Stunt Double:
Matthew Leclerc
VFX Artist:
Jalil Naderi
Riley Olowu
Laokratis Cios
Writer:
Sam Barbagallo
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.