A work in constant progress (and occasional regress).
Release Date:
January 28, 1987
Original Title:
富貴逼人
Alternate Titles:
Fu gui bi ren
It's a Mad, Mad, Mad World Part One
Genres:
Comedy | Family
Production Companies:
D & B Films
Production Countries:
Hong Kong
Ratings / Certifications:
N/A
Runtime: 100
Bill, a TV news reporter, tries to make ends meet to support himself, his wife and three daughters in urban Hong Kong. In the mist of the misadventures of Bill and his family, their luck and lives ultimately change when Bill's wife suddenly wins the lottery.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Editor:
Ding Yue
Doris Wong Wai-Kwan
Art Direction:
Lau Man-Hung
Assistant Art Director:
Si Ho-Fan
Assistant Director:
Chan Yuk-Ming
Assistant Editor:
Yeung Po-Wing
Assistant Production Manager:
Keith Lo Kam-Fu
Associate Producer:
Ronny Yu
Raymond Fung Sai-Hung
Carpenter:
Tai Chun-Ching
Director:
Clifton Ko Chi-Sum
Director of Photography:
Derek Wan Man-Kit
Editor:
Wong Yee-Shun
Executive Producer:
Dickson Poon Dik-Sang
Foley:
Ng Kwok-Wah
Gaffer:
Vicky Chan Gwai-Woh
Hairstylist:
Chang Kwok-Leung
Makeup Artist:
Wong Lai-Kuen
Music Editor:
Tang Siu-Lam
Original Music Composer:
Richard Yuen
Original Story:
Joe Ma Wai-Ho
Chow Yuk-Ming
Lai Kwok-Ming
Post Production Assistant:
Cheung Hong
Cheung Ka-Ming
Post Production Coordinator:
Tang Wing-Hung
Producer:
Linda Kuk Mei-Lai
Production Manager:
Lim Chan Sek-Lim
Props:
So Ming-Chiu
Screenplay:
Clifton Ko Chi-Sum
Script Supervisor:
Lou Wai
Unit Manager:
Lam Shu-Kin
Wardrobe Supervisor:
Poon An-Ying
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.