Home

Star Trek II: The Wrath of Khan (1982) [PG]

Release Date:
June 4, 1982

Original Title:
Star Trek II: The Wrath of Khan

Alternate Titles:
De Wraak van Khan
Jornada nas Estrelas 2 - A Ira de Khan
Star Trek 2. - Khan haragja
Star Trek II - La Colère de Khan
Star Trek II - The Wrath of Khan (Director's Cut)
Star Trek II: Gniew Khana
Star Trek II: Khan haragja
Űrszekerek II: Khan bosszúja
Стар Трек 2
星际旅行2：可汗怒吼
星际迷航2：可汗怒吼
스타트랙 2 : 칸의 역습

Genres:
Action | Adventure | Science Fiction | Thriller

Production Companies:
Paramount Pictures

Production Countries:
United States of America

Ratings / Certifications:
AU: PG  BR: L  CA: PG  DE: 12  ES: A  FR: U|10  GB: 12  GR: PG  IE: 12  JP: G  NL: 6  PT: M/12  SE: 15  US: PG 

Runtime: 112

At the end of the universe lies the beginning of vengeance.

Overview from TheMovieDB

The starship Enterprise and its crew is pulled back into action when old nemesis, Khan, steals a top secret device called Project Genesis.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Trailer

Teaser

Featurette

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Performers

Click the heading above to show or hide the list.

Production

Additional Soundtrack:
John Newton

Art Direction:
Michael Minor

Assistant Editor:
Christopher Koefoed
Vicky Witt
John Haggar

Assistant Property Master:
Charles C. Eguia Jr.

Associate Producer:
William F. Phillips

Camera Operator:
Craig Denault

Casting:
Mary V. Buck

Construction Coordinator:
Al DeGaetano

Costume Design:
Robert Fletcher

Craft Service:
Terry Ahern

Director:
Nicholas Meyer

Director of Photography:
Gayne Rescher

Dolly Grip:
Donald Whipple Jr.

Editor:
William Paul Dornisch

Executive Producer:
Harve Bennett

First Assistant Camera:
Catherine E. Coulson

First Assistant Director:
Douglas E. Wise

Gaffer:
Romolo Acquistapace

Hairstylist:
Dione Taylor

Key Grip:
Gene Griffith

Makeup Artist:
James Lee McCoy
Werner Keppler

Music Editor:
Bob Badami

Orchestrator:
Jack Hayes

Original Music Composer:
James Horner

Original Series Creator:
Gene Roddenberry

Post Production Supervisor:
Ralph Winter

Producer:
Robert Sallin

Production Design:
Joseph R. Jennings

Property Master:
Joe Longo

Screenplay:
Jack B. Sowards

Script Supervisor:
Mary Jane Ferguson

Second Assistant Camera:
Tom Connole

Second Assistant Director:
Richard Espinoza

Set Decoration:
Charles Graffeo

Set Designer:
Daniel Gluck
Daniel Maltese

Sound Effects Editor:
Teresa Eckton
Michael Hilkene
John Kline
Jim Siracusa
Curt Schulkey

Sound Mixer:
James R. Alexander

Sound Re-Recording Mixer:
Mel Metcalfe
David J. Hudson
Noyan Cosarer
Ray West

Sound Recordist:
Mark Server

Special Effects:
Ed Ayer
Gary F. Bentley
Fred Brauer
Martin Becker

Special Effects Supervisor:
Bob Dawson

Special Sound Effects:
Alan Howarth

Still Photographer:
Bruce Birmelin

Story:
Harve Bennett
Jack B. Sowards

Stunt Coordinator:
Bill Couch

Stunts:
Janet Brady
Allan Graf
Eddy Donno
Steve Blalock
John Escobar
Chuck Hicks
Jim Burk
Anthony Cecere
Diane Carter
Gary Combs
Gilbert B. Combs
Ann Chatterton
Bill Couch Jr.
Tommy J. Huff
Jim Connors
Kym Washington Longino
Hubie Kerns Jr.
Tom Morga
Beth Nufer
Paula Moody
John Robotham
Ernest Robinson
George P. Wilbur
Mike Washlake
Fletcher Bryant
Mary Peters

Supervising Sound Editor:
Cecelia Hall
George Watters II

Title Designer:
Don Kracke

Translator:
Marc Okrand

Transportation Captain:
Rick Valencia

Transportation Coordinator:
Michael McDuffee

Unit Production Manager:
Austen Jewell

Unit Publicist:
Eddie Egan

Visual Effects Supervisor:
Ken Ralston
Jim Veilleux

Wardrobe Supervisor:
James Linn
Agnes G. Henry

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.