A work in constant progress (and occasional regress).
Release Date:
August 23, 2013
Original Title:
All Is Lost
Alternate Titles:
All Is Lost – Überleben ist alles
All Is Lost: Tutto è perduto
Até o Fim
Cuando todo está perdido
Ha'kol a'voud
Minden odavan
Ola hathikan
Quando Tudo Está Perdido
Seul en Mer
Seul en mer
Sona Dogru
Stroskotanec na mori
Sve je izgubljeno
Tout est perdu
Всичко е изгубено
Надія не згасне
Не угаснет надежда
올 이즈 로스트
Genres:
Action | Adventure | Drama
Production Companies:
Baja Studios
Before the Door Pictures
Black Bear Pictures
FilmNation Entertainment
Lionsgate
Roadside Attractions
Sudden Storm Productions
Treehouse Pictures
Universal Pictures
Washington Square Films
Production Countries:
Canada | Mexico | United States of America
Ratings / Certifications:
AU: M BE: 14 BR: 12 CA: PG CH: 6|10 DE: 6 DK: 15 ES: 7 FI: K-16 FR: TP GB: 12 GR: Κ HU: 12 IE: 12|12A IT: T JP: G NL: 12 NO: 12 PL: 12 PT: M/12 RO: 12 SE: 11|15 SK: 12 US: PG-13
Runtime: 106
During a solo voyage in the Indian Ocean, a veteran mariner awakes to find his vessel taking on water after a collision with a stray shipping container. With his radio and navigation equipment disabled, he sails unknowingly into a violent storm and barely escapes with his life. With any luck, the ocean currents may carry him into a shipping lane -- but, with supplies dwindling and the sharks circling, the sailor is forced to face his own mortality.
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Additional Camera:
Miles E. Frances
Ager/Dyer:
Phyllis Thurber-Moffit
Art Department Coordinator:
Sandra Zambrano
Art Direction:
Marco Niro
Boom Operator:
Gillian Arthur
Camera Operator:
Frankie DeMarco
Casting:
Barbarella Pardo
Construction Buyer:
Ernesto S. Martinez
Construction Coordinator:
Hector Vázquez Sánchez
Costume Assistant:
Alfredo Michelle
Costume Design:
Van Broughton Ramsey
Costumer:
Brett Gathrid
Digital Imaging Technician:
Todd SanSone
Greg Vanzyck
Evan A. Nesbitt
Director:
J.C. Chandor
Director of Photography:
Frankie DeMarco
Editor:
Pete Beaudreau
Electrician:
Javier Garcia
Tony Gonzaga
Benito Guerrero
Constancio Castillo
Federico Hernandez
Executive Producer:
Zachary Quinto
Laura Rister
Glen Basner
Joshua Blum
Eric d'Arbeloff
Cassian Elwes
Corey Moosa
Kevin Turen
Howard Cohen
First Assistant "A" Camera:
Philip Shanahan
First Assistant "B" Camera:
Peter Manno
First Assistant Director:
Abel Jimenez
Foley:
Goro Koyama
Andy Malcolm
Gaffer:
Radium Cheung
Generator Operator:
Fidel Flores
Jose Marquez
Graphic Designer:
Josue Palos
Erika Gomez León
Hair Department Head:
Laine Trzinski
Hairstylist:
Laurell Burrows
Key Grip:
Pat O'Mara
Leadman:
Daniel Talavera
Libra Head Technician:
Bryan Fletchall
Clay Platner
Makeup Department Head:
Leo Corey Castellano
Music Editor:
Suzana Peric
Original Music Composer:
Alex Ebert
Painter:
Daniel Martinez
Producer:
Neal Dodson
Anna Gerber
Justin Nappi
Teddy Schwarzman
Production Design:
John P. Goldsmith
Property Master:
Tony Perez
Rigging Gaffer:
David Elwell
Rigging Grip:
Eduardo Servin
Scenic Artist:
Alfredo Hernandez
Screenplay:
J.C. Chandor
Script Supervisor:
Erin Feeley
Second Assistant "A" Camera:
Nicole Martinez
Sergio Berry
Second Assistant "B" Camera:
Edgar Luzanilla
Second Assistant Camera:
Eric S. Guthrie
Sean P. Gilbert
Set Decoration:
Ramírez Gabriela
Set Designer:
Hector H. Rivera
Sound Designer:
Steve Boeddeker
Sound Mixer:
Micah Bloomberg
Sound Re-Recording Mixer:
Steve Boeddeker
Brandon Proctor
Sound Recordist:
Danielle Dupre
Special Effects Coordinator:
Frank Iudica
Still Photographer:
Daniel Daza
Richard Foreman Jr.
Stunt Coordinator:
Mark Norby
Supervising Sound Editor:
Steve Boeddeker
Richard Hymns
Swing:
Angel Orona Moreno
Christian Moreno
Techno Crane Operator:
Henry Flores
Thanks:
Joe Machota
Transportation Coordinator:
Iram Collantes
Underwater Director of Photography:
Peter Zuccarini
Visual Effects Producer:
George Macri
Visual Effects Supervisor:
Bob Munroe
Colin Davies
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.