A work in constant progress (and occasional regress).
Release Date:
March 5, 2025
Original Title:
Sole Express
Genres:
Romance
Production Companies:
Utopia Milano
Production Countries:
Italy
Ratings / Certifications:
N/A
Runtime: 5
Aboard a vintage train, a silent journey unfolds between a mysterious guitarist and a curious woman. As the man moves through each carriage, his attire subtly transforms, reflecting the evolving tension and allure between them. Inspired by the Grand Tour and the soulful melodies of Pino Daniele, Sole Express is a visual ode to silent connections and the timeless elegance of Neapolitan tailoring.
Assistant Camera:
Valerio Bergamotti
Assistant Director:
Samuel Scott
BTS Videographer:
Silvio Deiaco
Cinematography:
Francesco Bartoli Avveduti
Colorist:
Daniel Palluca
Costume Assistant:
Gaia Dalla Valentina
Costume Supervisor:
Alex Restivo
Creative Director:
Angelo Civetta
Data Wrangler:
Mario Panichi
Director:
Luigi Dalena
Editor:
Giovanni Iavarone
Electrician:
Ivano Francavilla
Fabio Locatelli
Thomas Miceli
Finance:
Anna Carramusa
Focus Puller:
Guglielmo Trautvetter
Gaffer:
Andrea Frigerio
Grip:
Francesco Caffa
Leonardo Caffa
Paolo Gelfini
Key Grip:
Roberto Migliavacca
Makeup & Hair:
Daniela Magginetti
Makeup Artist:
Francesca Rezzola
Music:
Michele Caiati
Daniele de Virgilio
Other:
Sharon Brambilla
Post Production Coordinator:
Luigi Dalena
Producer:
Luigi Dalena
Michela Luè
Production Assistant:
Marco Dal Borgo
Gabriele Bove
Production Coordinator:
Luca Mazzucconi
Production Manager:
Giovanni La Monaca
Props:
Marco Pagallo
Mattia Sali
Seamstress:
Assia Climaco
Second Assistant Director:
Andrea Rosica
Set Designer:
Lucia Cavalieri
Steadycam:
Diego Capelli
Storyboard Artist:
Beniamino Girola
Tattoo Designer:
Francesca Galafassi
Video Assist Operator:
Federico Bellotti
Visual Effects:
Matteo Toffalori
Writer:
Luigi Dalena
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.