A work in constant progress (and occasional regress).
Release Date:
August 25, 1989
Original Title:
Little Monsters
Alternate Titles:
Little Ghost Fighters
Los más locos y divertidos pequemonstruos
Pequeños monstruos
침대 귀신 대소동
Genres:
Adventure | Comedy | Family | Fantasy
Production Companies:
Davis Entertainment
Licht/Mueller Film Corporation
Vestron Pictures
Production Countries:
United States of America
Ratings / Certifications:
GB: PG US: PG
Runtime: 102
A young boy is scared of the monster under his bed. He asks his 6th grade brother to swap rooms for the night as a bet that the monster really exists. Soon the brother becomes friends with the monster and discovers a whole new world of fun and games under his bed where pulling pranks on kids and other monsters is the main attraction.
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ADR Editor:
Hal Levinsohn
Laura P. Krasnow
Art Direction:
Carol Winstead Wood
Assistant Accountant:
Elizabeth Conrad
Assistant Costume Designer:
Daniel J. Lester
Assistant Editor:
Dean Holder
Chip Cronkite
Assistant Sound Editor:
Kam Chan
Mia De Bethune
Associate Editor:
Steven Visscher
Best Boy Electric:
Jay W. Yowler
Best Boy Grip:
Logan R. Berkshire
Boom Operator:
Gary A. Theard
Casting:
Bonnie Finnegan
Steven Jacobs
Color Timer:
Fred Heid
Construction Coordinator:
Greg Villalva
Construction Foreman:
William Davidson
Costume Design:
Marilyn Vance
Costumer:
Robin Hill
Jimmy Newell
Craft Service:
Shannon Alston
Dialogue Editor:
Jeffrey Stern
Laura Civiello
Director:
Richard Greenberg
Director of Photography:
Dick Bush
Draughtsman:
Jerry Hall
Editor:
Patrick McMahon
Executive Producer:
Mitchell Cannold
Dori Berinstein
First Assistant Camera:
Joe D'Alessandro
First Assistant Director:
Randall Badger
Foley Editor:
Dana Stefenson
Gaffer:
Jock Brandis
Graphic Designer:
Kenneth Stytzer
Elizabeth Beloff
Grip:
Rufus Granger Jr.
Eric Bartsch
Hairstylist:
William Salyer
Key Grip:
Gene Poole
Leadman:
Randall R. Milazzo
Location Manager:
Michael W. Stroud
Makeup Artist:
Kelley Gore
Makeup Effects:
Douglas S. Turner
Makeup Effects Designer:
Douglas S. Turner
Music:
David Newman
Music Coordinator:
Sandy K. Tanaka
Music Editor:
George Craig
Yvette Nabel
Music Supervisor:
Gary Goetzman
Sharon Boyle
Negative Cutter:
Arnold Shuster
Tom San Martin
Producer:
Jeffrey A. Mueller
Andrew Licht
John Davis
Production Coordinator:
Barbara Spitz
Production Design:
Paul Peters
Production Secretary:
Ron Servicky
Production Sound Mixer:
Kim H. Ornitz
Property Master:
Jack M. Marino
Script Supervisor:
Lester Hoyle
John T. Moore
Second Assistant Camera:
Frank Godwin
Second Assistant Director:
Harry V. Bring
Liz Ryan
Set Decoration:
R. Lynn Smartt
Set Designer:
Harold Fuhrman
Set Dresser:
Jeffrey L. Loy
Rico Milazzo
Sound Re-Recording Mixer:
Tom Fleischman
Special Effects Makeup Artist:
Robert Short
Steadicam Operator:
Herb Harton
Still Photographer:
Sam Emerson
Phillip V. Caruso
Supervising Producer:
Jack Grossberg
Supervising Sound Editor:
Ron Bochar
Transportation Captain:
Vick Griffin
Transportation Coordinator:
Allan Hamilton
Unit Production Manager:
Jack Grossberg
Wardrobe Supervisor:
Daniel J. Lester
Writer:
Terry Rossio
Ted Elliott
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.