A work in constant progress (and occasional regress).
Release Date:
December 16, 2024
Original Title:
Maria, Ina ng Diyos
Genres:
Drama | Family | Thriller
Production Countries:
Philippines
Ratings / Certifications:
N/A
Runtime: 18
All her life, Yeshua spends her Holy Week break within the constraints of her room. Now in her last year of high school, she wishes to go with her friends to Batangas to spend the vacation together. Despite being estranged from her mother, Maria, Yeshua still tried to seek permission to go with her friends. However, due to their severed bond, Yeshua’s efforts go to waste and only cause their wounds to open up after years of pretending that they don’t exist.
Assistant Director:
Sofia Xutchyll Rapp
Associate Producer:
Ysabelle Andrea Nicasio
Boom Operator:
John Christopher Pullon
Business Affairs Coordinator:
Angelica Infante
Quiana Alexi Parfan
Elysha Gail Talaguit
Maria Cathrina Aquino
Camera Operator:
Vincent Montalba
Gabby Marcelo
Casting Coordinator:
Aaliyah Vylette Jarana
Colorist:
Jan Andrei Cobey
Continuity:
Isabelle Moraga
Costume Coordinator:
Isabelle Moraga
Samantha Sopeña
Elysha Gail Talaguit
Angelica Infante
Creative Producer:
Thop Nazareno
Digital Imaging Technician:
Jun Ramos
Director:
Joshua Andre Quijada
Director of Photography:
Vincent Montalba
Editor:
Sofia Xutchyll Rapp
Executive Producer:
Quiana Alexi Parfan
Gaffer:
Ernesto “Tano” Baladad
Lighting Technician:
Rumar P. Fajilagmago
Romnick Tinitigan
Location Manager:
Elysha Gail Talaguit
Sofia Xutchyll Rapp
Music:
Emerzon Texon
Post Producer:
Vincent Montalba
Producer:
Oli L. Laperal
Rafa Laperal
Production Design:
Aaliyah Vylette Jarana
Ysabelle Andrea Nicasio
Production Sound Mixer:
John Rei Paraiso
Screenplay:
Aaliyah Vylette Jarana
Second Assistant Camera:
Carson Paul Ruiz Guevarra
Set Production Assistant:
Maria Cathrina Aquino
Sound Designer:
Gamaliel Lustre
Special Effects Makeup Artist:
Wyeth Vibar
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.