A work in constant progress (and occasional regress).
Release Date:
January 18, 2009
Original Title:
Endgame
Alternate Titles:
Die Mandela-Verschwörung
Endgame - Die Mandela Verschwörung
Frente a Frente com o Inimigo
Genres:
Crime | Drama
Production Companies:
Film Afrika
Production Countries:
United Kingdom
Ratings / Certifications:
BR: 12 DE: 16 GB: PG US: PG-13
Runtime: 109
The time is the late '80s, a crucial period in the history of South Africa. President P.W. Botha is hanging on to power by a thread as the African National Congress (ANC) takes up arms against apartheid and the country tumbles toward insurrection. A British mining concern is convinced that their interests would be better served in a stable South Africa and they quietly dispatch Michael Young, their head of public affairs, to open an unofficial dialogue between the bitter rivals. Assembling a reluctant yet brilliant team to pave the way to reconciliation by confronting obstacles that initially seem insurmountable, Young places his trust in ANC leader Thabo Mbeki and Afrikaner philosophy professor Willie Esterhuyse. It is their empathy that will ultimately serve as the catalyst for change by proving more powerful than the terrorist bombs that threaten to disrupt the peaceful dialogue.
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ADR Recordist:
Matt Snedecor
Additional Music:
Ruth Barrett
Additional Photography:
Anna Valdez Hanks
Additional Second Assistant Camera:
Jefri Meintjes
Aerial Coordinator:
Tim Desbois
Armorer:
Lance Peters
Art Department Coordinator:
Gaby Beyers
Art Direction:
Birrie le Roux
Assistant Costume Designer:
Suzie Harman
Assistant Location Manager:
Eduard Klarenbeek
Assistant Set Decoration:
Sian Molloy
Audio Post Coordinator:
Jenna Lange
Best Boy Grip:
Phil Hurst
Camera Trainee:
Beisan Elias
Casting:
Christa Schamberger
J.P. van der Merwe
Casting Assistant:
Chuck Douglas
Chef:
Neil Hdoge
Clapper Loader:
Alison Lai
Compositor:
Stephanie C. Kelly
Construction Coordinator:
Brendan Smithers
Construction Manager:
Brian Glaser
Costume Design:
Dinah Collin
Costume Supervisor:
Darion Hing
Dialect Coach:
Majella Hurley
Jill McCullough
Dialogue Editor:
Ben Brazier
Digital Color Timer:
Paul Ensby
Digital Intermediate Data Wrangler:
Matthew Benns
Digital Intermediate Producer:
Todd Kleparski
Director:
Pete Travis
Director of Photography:
David Odd
Editor:
Clive Barrett
Dominic Strevens
Executive Producer:
Liza Marshall
David Aukin
First Assistant Camera:
Peter Howard
First Assistant Director:
Mark Goddard
Foley Artist:
Sue Harding
Rowena Wilkinson
Graphic Designer:
Paula Jones
Cassie Leedham
Catherine Palmer
Hair Designer:
Sharon Martin
Key Grip:
Allan Gray
Line Producer:
Lorraine Goodman
Nina Heyns
Location Manager:
Robert Bentley
Pat Karam
Location Scout:
Peter Currey
Makeup & Hair:
Kelly Willis
Makeup Artist:
Kerry Skelton
Makeup Designer:
Sharon Martin
Novel:
Robert Harvey
Original Music Composer:
Martin Phipps
Post Production Coordinator:
Katura Jensen
Post Production Supervisor:
Mark Harris
Producer:
Hal Vogel
Production Coordinator:
Tina Caldeira
Craig Heathcote
Production Design:
Chris Roope
Production Manager:
Jeanne Watson
Production Secretary:
Anke Andriessen
Andrea Pienaar
Production Supervisor:
Meryl Schutte
Props:
Alex Giles
Belinda Johnson
Publicist:
Ian Thomson
Pyrotechnician:
Cordell McQueen
Researcher:
Rosanne Flynn
Catherine Milne
Scenic Artist:
Nathan Victor Honey
Script Supervisor:
Anwen Bull
Katie Harlow
Second Assistant Director:
Ben Harrison
Shamiel Soni
Second Unit Director of Photography:
Dirk Nel
Set Decoration:
Fred Du Preez
Neesh Ruben
Set Dresser:
Karl du Preez
Sound Effects Editor:
Robert Brazier
Sound Mixer:
Chris Ashworth
Jake Jackson
Special Effects Technician:
Wesley Barnard
Tyrell Kemlo
Sithembiso Sontshaka
Standby Art Director:
Chris Richmond
Still Photographer:
Giles Keyte
Storyboard Artist:
Mark Risk
Stunt Driver:
Craig Gordon Sobotker
Stunts:
Adam Horton
Shirley Kirchmann
Paul Pieterse
Third Assistant Director:
Daryn Goldsbrough
Steve Morphew
Unit Manager:
Pierre Buys
Visual Effects Director:
Thomas M. Horton
Visual Effects Producer:
Natalie Stopford
Shanaullah Umerji
Writer:
Paula Milne
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.