A work in constant progress (and occasional regress).
Original Title:
Tricky
Genres:
Drama
Production Companies:
Uli Meyer Studios
Ratings / Certifications:
N/A
Set in the 1990s, Tricky begins in a London animation studio run by a husband-and-wife team famous for creating beloved cereal mascots. Their world crumbles when new regulations ban sugary ads targeted at children, effectively cancelling their entire industry overnight. The husband flees to America, leaving behind his wife and their daughter, Maya. Decades later, Maya’s 12-year-old daughter, Charli, discovers a VHS tape of the old commercials. Hoping to connect with the grandfather she’s never met, she uploads digitized clips to TikTok using AI tools. But the experiment goes horribly wrong: her viral videos open a portal between worlds, unleashing the once-cute mascots, now twisted, AI-enhanced monstrosities, into the real world.
Animation:
Michael Schlingmann
Gary Dunn
Dean Roberts
Art Direction:
Daniela Topham
BTS Footage:
Seun Pinheiro
Casting Director:
Tom Medcalf
Catering:
Kate Roddy
Director:
Uli Meyer
Director of Photography:
Markus Ilschner
Focus Puller:
Alexandra Voikou
Gaffer:
Henry Young
Lighting Production Assistant:
Edmund Bishop
Oliver Young
Jordan White
Line Producer:
Vanessa Wheeler
Makeup & Hair:
Emma Leon
Producer:
Vanessa Wheeler
Production Assistant:
Anya Chung
Korede Alaran
Production Manager:
Vanessa Wheeler
Props:
Mark Bailey
Second Assistant Camera:
Esther Mitchell
Sound Assistant:
Ariya Beecham
Sound Recordist:
Charlie J Hinde
Special Effects:
Lisa Meyer
Special Effects Supervisor:
Mark Bailey
Still Photographer:
Niki Bruckner
Writer:
Uli Meyer
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.