A work in constant progress (and occasional regress).
Original Title:
El Enigma del Espacio Exterior
Genres:
Comedy | Fantasy | Science Fiction
Production Countries:
Spain
Ratings / Certifications:
N/A
Runtime: 11
On a planet trapped in black and white, a strange comet crashes—transforming young intern Véctor into the first being in Technicolor. Under the guidance of the brilliant Dr. Molécula, Véctor becomes the center of awe, fear… and a cosmic decision: remain in a world that can’t accept him, or follow the comet to a new one. A retro sci-fi tale with B-movie flair, vintage visuals, and a burst of color that changes everything.
Art Department Assistant:
Adriana Martínez
Art Direction:
Celia Molina Sánchez
Assistant Director:
Daniel Asensio Cuenca
Assistant Director of Photography:
Carlos Amezola
Catering:
Sandra García
Jaime García
Clapper Loader:
Irene López de Francia
Director:
Juan Sainz de Rozas González
Director of Photography:
Mery Moreno
Dresser:
Celia Molina Sánchez
Driver:
Felipe Sacristán
Juan José Sainz de Rozas
Miriam Sacristán
Jaime García
Drone Pilot:
Daniel Asensio Cuenca
Editor:
Juan Sainz de Rozas González
Gaffer:
Javier Perdomo
Location Manager:
Adriana Martínez
Music:
Frank Pérez
Producer:
Juan Sainz de Rozas González
Producer's Assistant:
Ainhoa Rodríguez
Production Assistant:
Adriana Martínez
Production Director:
Laura Prats Marín
Production Manager:
Selena Pont Huerta
Script:
Ana Aliaga Díaz
Second Assistant Director:
Claudia García
Second Unit Director:
Juan Sainz de Rozas González
Second Unit Director of Photography:
Daniel Asensio Cuenca
Second Unit First Assistant Director:
Claudia García
Sound:
Jacobo Pecharromán
Still Photographer:
Ana Aliaga Díaz
Visual Effects:
Juan Sainz de Rozas González
Writer:
Juan Sainz de Rozas González
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.