A work in constant progress (and occasional regress).
Release Date:
October 1, 2013
Original Title:
The Christmas Consultant
Alternate Titles:
O Consultor de Natal
Genres:
Comedy | TV Movie
Production Companies:
224 Entertainment
Movie Central
Noel Productions Inc.
Reel One Entertainment
Super Écran
The Movie Network
Production Countries:
Canada
Ratings / Certifications:
N/A
Runtime: 88
Christmas is just around the corner but suburban workaholics Maya Fletcher and her husband Jack are too busy to get into the holiday spirit. As their Christmas to do list grows and deadlines fast approach, holiday spirit is at an all time low. Maya forgets she promised to host a Christmas Eve party for her and Jack’s whole family. In an effort to impress a potential new client, Maya has also invited him to spend the holidays with the family.
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ADR Mixer:
David Ho
Casting:
Candice Elzinga
Co-Executive Producer:
Josée Bernard
Compositor:
Kayla Huitema
Costume Design:
Zohra Shahalimi
Digital Compositor:
Darvin K. Manwah
Director:
John Bradshaw
Director of Photography:
Paul Mitchnick
Editor:
Michael John Bateman
Jamie Alain
Executive Producer:
Stefan Wodoslawsky
Jack Gilardi Jr.
Brendan McDonald
Darby Parker
Gilles LaPlante
Tom Berry
First Assistant Director:
Allan Harmon
Hairstylist:
Tara Colledge
Makeup Department Head:
Tina Louise Teoli
Music:
Christopher Nickel
Producer:
Raymond Massey
Production Design:
Brian Davie
Script Supervisor:
Lisa Rerrie
Second Assistant Director:
Bryant Marshall
Set Decoration:
Henry Thomas Earle
Sound Editor:
Bill Mellow
Sound Effects Editor:
Ryan Thompson
Sound Mixer:
Eric Lamontagne
Special Effects Coordinator:
Paul Benjamin
Stunt Coordinator:
Doug Chapman
Stunt Double:
Lloyd Cunningham
Third Assistant Director:
Scooby Vincent
Visual Effects:
Karl Rosner
Visual Effects Coordinator:
Gillian Pearson
Visual Effects Producer:
Zakary Parent
Geoffery Antony
Visual Effects Supervisor:
Zachary Mallett
Writer:
Gregg Rossen
Brian Sawyer
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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