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The Brutal Hopelessness of Love (2007) [N/A]

Release Date:
March 1, 2007

Original Title:
人が人を愛することのどうしようもなさ

Alternate Titles:
Hito ga hito o ai suru koto no dôshiyô mo nasa

Genres:
Drama

Production Companies:
Toei Video Company

Production Countries:
Japan

Ratings / Certifications:
 N/A

Runtime: 117

Overview from TheMovieDB

Famous movie actress Nami is being interviewed by a magazine reporter about her new film in which the plot resembles her real life. Her actor husband Yosuke has an affair with a young actress Junko whereas in the movie, Nami acts as an actress whose husband has an extramarital relationship with a young girl, with Yosuke as the husband and Junko as the new girl friend. In the course of the interview, Nami falls into deep thoughts and flashbacks about her lascivious encounters with strangers in a night train, in the movie as in the reality. Despite whether her intention is to revenge her husband or to satisfy her own desires, Nami demonstrates bewitching charm in a series of intercourse with different men, positions and locations. Director Takashi Ishii attempts to explore female sexual psychology through perfect blends of aesthetic nudity and violence.

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Production

Art Direction:
Teru Yamazaki

Director:
Takashi Ishii

Director of Photography:
Yasushi Sasakibara
Rokurō Terada

Editor:
Yûji Murayama

Lighting Technician:
Kenji Ushiba

Original Music Composer:
Goro Yasukawa

Screenplay:
Takashi Ishii

Sound Recordist:
Mineharu Kitamura

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.