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Dear Tala, Love, Grandma Odesa (????) [N/A]

Original Title:
Dear Tala, Love, Lola Odesa

Alternate Titles:
Dear Tala, Love, Lola Odesa

Genres:
Drama

Production Companies:
SiklabxPelikulaya

Ratings / Certifications:
 N/A

Runtime: 15

Overview from TheMovieDB

Cheerful and ever-spirited, Lola Odesa never forgets to jot down even the smallest details of her day. But in the silence between her words, a question lingers—what is she truly trying to hold on to?

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Additional information:

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Performers

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Production

Camera Operator:
Fidel De Guia III
Edrian Magalona

Casting Director:
Louraine Buenaventura
Helena Porsuelo

Director:
Rachelle Magalona
Clarence Barruga

Director of Photography:
Jeremy Ramos

Editor:
Chelsea Dave

Executive Co-Producer:
LengJoey Calderon

Executive Producer:
Patrick Espinas
Lucia Marie Alcantara

Gaffer:
Adrian Benedicto

Makeup & Hair:
Kimberly Tero
Princess Ariane

Production Assistant:
Helena Porsuelo

Production Design:
Rhodeza Francisco

Production Manager:
Louraine Buenaventura

Set Dresser:
Zyrille Santos
Jia Alfonso
Kristine Soriano
Princess Taborada

Sound Assistant:
Edrian Magalona

Sound Recordist:
Sealtiely Cortez

Still Photographer:
Edrian Magalona

Wardrobe Assistant:
Princess Taborada
Helena Porsuelo

Wardrobe Designer:
Jia Alfonso

Writer:
Rachelle Magalona

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.