A work in constant progress (and occasional regress).
Original Title:
Afterlife
Genres:
Drama | Science Fiction
Production Companies:
Art Kid Media
Ratings / Certifications:
N/A
Runtime: 24
In a near-future where grief can be outsourced, a bereaved artist considers a new outpatient procedure: an AI implant that can copy her mind, replace her with a digital copy, and spare her loved ones the pain of loss. But one unsettling discovery forces her to ask what, if anything, makes us truly irreplaceable. Set one product launch from today, Afterlife is a quiet sci-fi thriller about art, identity, and the slow erasure of the self in the age of artificial intelligence.
Assistant Camera:
Angel Avalos
Krystal Alexandria
Kendall kelly
Assistant Editor:
Laura Anuszkiewicz VonMutius
Best Boy Grip:
Jody Dubose
Colorist:
Patrick Taylor
Costume Design:
Hailey Eaton
Craft Service:
Lev Romano
Samantha Trenholm
Digital Imaging Technician:
Perrone Ford
Director:
Charles Scott Bell
Director of Photography:
Laela Kilbourn
Editor:
John VonMutius
Gaffer:
Chris Shipe
Graphic Designer:
Melissa Fleming
Hair Department Head:
Joey Egiziano
Key Grip:
Brian Jackson
Medical Consultant:
Trevor Russo
Alexis Cejas Carbonell
Producer:
Cierra Alexandria Bell
Charles Scott Bell
Production Assistant:
Joey Harbour
Amos Cunningham
Grayson Mullen
Jada Leavy
Production Design:
Derek Fleming
April Cluess
Property Master:
Marq Storm
Score Engineer:
Alexander Arntzen
Script Supervisor:
Justin Wolf
Second Assistant Director:
Louis Garcia
Sound:
Corey McHugh
Sound Editor:
Hisham Billal
VFX Artist:
Reece Mulley
Writer:
Charles Scott Bell
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.