A work in constant progress (and occasional regress).
Original Title:
How To Drag A Body
Ratings / Certifications:
N/A
Runtime: 15
Anthony wakes up in an infinite stairwell with no memory, a disembodied voice, and a corpse. Promised The Answer to all of life's questions, he agrees-begrudgingly-to drag the body to the top, confront his past, fall in love, and not die trying. A surreal black comedy (loosely) based on a true story about finding joy in the absurd shit pile of your own life.
Accountant:
Andrew Weir
Additional Dialogue:
Jude McCormick
Assistant Director:
Kellie Malone Yeaa
Associate Producer:
Jessica Fitzpatrick
Delbert Grush
John Norris Ray
Mary Lombardo
Frank Usiak
Camera Operator:
Bryan Allen Lamb
Casting:
Jake Krickhan
Cinematography:
Andrew Zeiter
Color Assistant:
Kyungchan Min
Color Grading:
Claudia Guevara
Colorist:
Mike Howell
Costumer:
Melissa Tulchinsky
Dialogue Editor:
Sebastian Alzate Lopez
Director:
Connor McNamara
Editor:
Frank Dale Arroyo
Elyse Rachelle
Electrician:
Joshua Curley
Executive Producer:
Andrew Zeiter
Connor McNamara
Anthony Venturini
First Assistant Camera:
Zack Auron
Joe Brady
Gaffer:
Russell Burger
Grip:
Gene Malkin
Makeup Artist:
Ashley K. Thomas
Makeup Department Head:
Bri Trischitta
Music Score Producer:
Kyle Simpson
Producer:
Kim Anderson
Production Design:
Sonia Foltarz
Taylor Barry
Property Master:
Charles Sammann
Second Assistant Camera:
Elliott Hyppolite
Set Dresser:
Kevin Barbagallo
Set Production Assistant:
DeJuan Lewis
Sound Editor:
Juan Pablo Saldarriaga Alaguna
Sebastian Alzate Lopez
Jairo Santacruz
Sound Mixer:
Nicholas Do
Special Effects:
Whitney Theis
Steadicam Operator:
Storr Todd
Supervising Sound Editor:
Sebastian Alzate Lopez
Title Designer:
Collin Holmes
Truck Production Assistant:
Johan Alzate
Visual Effects:
Taylor Theis
Writer:
Connor McNamara
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.