A work in constant progress (and occasional regress).
Release Date:
July 19, 1972
Original Title:
Joe Kidd
Alternate Titles:
Τζο Κιντ
Genres:
Western
Production Companies:
Malpaso Productions
Production Countries:
United States of America
Ratings / Certifications:
DE: 16 DK: 15 FI: K-16 FR: TP IE: 15 JP: R15+ US: PG
Runtime: 88
A band of Mexicans find their U. S. land claims denied and all the records destroyed in a courthouse fire. Their leader, Louis Chama, encourages them to use force to regain their land. A wealthy landowner wanting the same decides to hire a gang of killers with Joe Kidd to track Chama.
Art Direction:
Alexander Golitzen
Henry Bumstead
Assistant Director:
James Fargo
Conductor:
Lalo Schifrin
Director:
John Sturges
Director of Photography:
Bruce Surtees
Editor:
Ferris Webster
Executive Producer:
Clint Eastwood
Jennings Lang
Robert Daley
Extras Casting:
Frank Kennedy
Location Manager:
Jack N. Young
Musician:
George Roberts
Sam Freed Jr.
Jacob Krachmalnick
Erno Neufeld
Vince De Rosa
Anatol Kaminsky
Tony Terran
Virginia Majewski
Joe Porcaro
Frederick Seykora
Tommy Tedesco
Gerald Vinci
John Audino
Bonnie Jean Douglas
Dorothy Remsen
Raphael Kramer
Richard Nash
John Ellis
Lloyd Ulyate
John Neufeld
Ray Brown
Howard Roberts
Larry Bunker
David Duke
Abe Luboff
Israel Baker
Alan Harshman
Richard Perissi
Sheridon Stokes
Ken Watson
Ralph Grierson
Ronald Langinger
Edgar Lustgarten
Dick Noel
Eleanor Slatkin
Michael Lang
Alfred Lustgarten
Milton Thomas
Paul Shure
Orchestrator:
Sandy DeCrescent
Original Music Composer:
Lalo Schifrin
Post-Production Manager:
Charles Clement
Producer:
Sidney Beckerman
Set Decoration:
Charles S. Thompson
Sound:
James R. Alexander
Waldon O. Watson
Stunt Coordinator:
Buddy Van Horn
Stunt Double:
Buddy Van Horn
Stunts:
Chuck Hayward
Mickey Gilbert
George Orrison
Kim Kahana
Tap Canutt
Richard Wenz
Running Deer
Autry Ward
Walter Scott
Bob Herron
Unit Production Manager:
Ernest B. Wehmeyer
Unit Publicist:
Chuck Queenan
Writer:
Elmore Leonard
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.