A work in constant progress (and occasional regress).
Release Date:
January 1, 2024
Original Title:
Adaptacija 2.0
Genres:
Animation
Production Countries:
Croatia
Ratings / Certifications:
N/A
Runtime: 5
An author in a creative crisis is sitting in front of his computer screen and trying to make a film out of random doodles. He hesitates over the title of the film and finally decides on the name Adaptation. With the help of artificial intelligence, the doodles are molded into one form or another and the actual theme is slowly revealed - the perception of the human body depending on whether it is clothed or naked. Artificial intelligence is a great invention, but during the process we realize that it is not just a technical aid, but a serious and intrusive co-creator of the process. Can the author adapt to it?
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.