A work in constant progress (and occasional regress).
Original Title:
Brote en el concreto
Genres:
Drama
Production Companies:
Arte 7
Loks Films
R7D
Production Countries:
Mexico
Ratings / Certifications:
N/A
Art Department Assistant:
Yami Saavedra
Art Direction:
Michelle Tomas
BTS Photographer:
Nahum R. Maya
Catering:
María Teresa Mata León
Aura Villalpando
Yaskara Villalpando
Catering Head Chef:
María Laura Ortíz Jiménez
Colorist:
Rigby Granguillhome
Eduardo Suárez
Costume Designer:
Yami Saavedra
Data Wrangler:
Daniel Vilchis
Martín Rojo
Director:
Renata Elizondo
Director of Photography:
Eduardo Suárez
Editor:
Julio Coalla
First Assistant Camera:
Diego Posadas
First Assistant Director:
Rigby Granguillhome
Focus Puller:
Diego Posadas
Gaffer:
Edwin Acosta
José Carlos Davmar
Graphic Designer:
Lizete Esperanza Galindo Díaz
Lighting Camera:
LuE
Mauricio Vieyra
Location Manager:
Ángel Yamil Arriaga Castillo
Rigby Granguillhome
Abelardo Ortíz
Martín Rojo
Makeup & Hair:
Yami Saavedra
Daniela Jung
Alejandra Hernández
Andrea Hernández Ugarte
Makeup & Hair Assistant:
Libertad Mendoza
Music:
Oh, Sanji!
Musician:
Winston Quintanilla
Fernando Rabell
Post Producer:
Julio Coalla
Producer:
Martín Rojo
Production Assistant:
Armando "Oso" Arandia
Ema Alagde
Arturo Barrón
Yudiel Landa
Victor Navarro
Production Coordinator:
Diego Fuentes
Production Design:
Alejandra Hernández
Production Manager:
Abelardo Ortíz
Script Supervisor:
Naomi Saavedra
Alan Vallarino
Second Assistant Camera:
Ángel Yamil Arriaga Castillo
Second Assistant Director:
Alan Vallarino
Security:
Josue Espinosa González
Sound Assistant:
Winston Quintanilla
Emiliano Ugarte
Sergio Emilio Meza
Sound Designer:
Winston Quintanilla
Sound Director:
Mariano Michaus
Transportation Captain:
Arturo Barrón
Victor Navarro
Rigby Granguillhome
Alonso Vázquez
Writer:
Renata Elizondo
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.