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After Hours (1985) [N/A]

Release Date:
January 1, 1985

Original Title:
After Hours

Genres:
Drama

Production Companies:
Film Australia

Production Countries:
Australia

Ratings / Certifications:
 N/A

Runtime: 26

Overview from TheMovieDB

The difficulty of separating sexual fantasy and reality becomes apparent in an investigation of an alleged sexual harassment case.

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Additional information:

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Performers

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Production

Art Direction:
Jane Norris
Jane Norris

Assistant Art Director:
Edie Kurzer

Assistant Editor:
Michelle Frazer

Boom Operator:
Miriana Marusic

Camera Operator:
Laurie McInnes
Jane Campion

Cinematography:
Laurie McInnes

Director:
Jane Campion

Editor:
Annabelle Sheehan

First Assistant Director:
Adrienne Parr
Rose Wise
Wendy Thompson

Gaffer:
Deborah Collins

Grip:
Stuart Greene
Roy Mico

Location Manager:
Clare Edwards
Clare Edwards

Makeup & Hair:
Amanda Hunt

Music:
Alex Proyas

Production Manager:
Nancy Wahlquist

Props:
Anne Rigg

Screenplay:
Jane Campion

Second Assistant Director:
Penelope Wells

Second Unit Cinematographer:
Michael Edols

Sound Mixer:
Annie Cocksedge

Sound Recordist:
Averil Nicholls

Wardrobe Supervisor:
Anne Rigg

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.