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The Queen of Midnight (????) [N/A]

Original Title:
The Queen of Midnight

Ratings / Certifications:
 N/A

Overview from TheMovieDB

Haunted by her losing streak, Zara struggles to stand against rival it girl Blaze. As the sound of the clock ticks down, they will do anything to be crowned the Queen of Midnight... no matter who gets hurt.

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Additional information:

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Performers

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Production

BTS Photographer:
Shane D'Costa

BTS Videographer:
Owen Sauve

Colorist:
Trâm Anh Nguyễn

Costume Coordinator:
Krystel Santiago

Daily Electrics:
Coen Chap Yu Leung

Data Wrangler:
Billy Farber

Director:
Midas

Director of Photography:
Chloë Gordon

Editor:
Midas
Lauren Halsted

First Assistant Camera:
Shaun Soutar

First Assistant Director:
Nasty

Gaffer:
Brooke Walker

Grip:
Gavin Dickson
Celestia Peritore
David Armata
Jonathan Blackman
Trâm Anh Nguyễn

Music:
Astro

Producer:
Ristien Galvez
Chloë Gordon

Production Assistant:
Owen Sauve
Nala Haileselassie

Production Design:
Lauren Halsted

Production Manager:
Jae Zheng

Props:
Nicole Zhao

Script Supervisor:
Josh Dargie
Johnny Tsatsos

Second Assistant Camera:
Kaiya Malik

Second Assistant Director:
Trinity Wong

Set Decoration:
Evangeline Dailisan

Sound Designer:
Adelaide Berardi

Sound Recordist:
Helene Cuevas

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.