A work in constant progress (and occasional regress).
Original Title:
Is It Time?
Genres:
Drama | Science Fiction
Production Companies:
Bluestone Pictures
Broken Mirror Productions
One & Other Productions
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 11
A man addicted to visiting his memories wrestles with a promise he made his father when he was first diagnosed with Alzheimer's.
ADR Engineer:
Ciara Bess
Additional Editing:
Zach Gentry
Animal Wrangler:
Abril Hares
Art Department Production Assistant:
Mick Bongiovi
Eva Moravec
Associate Producer:
Dlisah Lapidus
Robin Luo
BTS Photographer:
Elizabeth Kaufer
Best Boy Electric:
Karl Somerville
Best Boy Grip:
Amir Moverman
Boom Operator:
Patrick Anniskette
Casting Director:
Maura Garnett
Colorist:
Avery Niles
Director:
Yoni Azulay
Director of Photography:
Evan Miller
Editor:
Yoni Azulay
Finishing Producer:
Vic Brandt
First Assistant Camera:
Luis Romero
Kaylee Smith
First Assistant Director:
Matthew Nolan
Gaffer:
Trevor Dunnigan
Key Grip:
Harrison Segal
Key Hair Stylist:
Darlene Jhasz
Key Makeup Artist:
Darlene Juhasz
Key Production Assistant:
Zoe Franklin
Music:
Jackson Craig
Post Producer:
Carley Lovito
Producer:
Zach Rineer
Erik Skattum
Yoni Azulay
MAYA MORAVEC
Izzie Nadah
Production Coordinator:
Erik Skattum
Production Designer:
Mayra Coral
Production Sound Mixer:
John Bray
Script Supervisor:
Maya Feltheimer
Second Assistant Camera:
Sidi Wang
Set Buyer:
Jessica Navarrete
Set Dresser:
Alex Nicoletti
Sound Designer:
Ryan A. Sullivan
Sound Effects Editor:
Jacob Bouie
Steadicam Operator:
Douglas Lau
Supervising Sound Editor:
Ryan A. Sullivan
Unit Production Manager:
Zach Rineer
VFX Artist:
Serhii Ksonz
Wardrobe Designer:
Martina Taylor
Wardrobe Supervisor:
Einav Nitzani
Writer:
Yoni Azulay
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.