A work in constant progress (and occasional regress).
Release Date:
May 30, 2024
Original Title:
The Space Messenger
Genres:
Science Fiction
Production Companies:
Unvent Productions
Ratings / Certifications:
N/A
Runtime: 13
Two artificially intelligent machines mentally break away from their designed duties when they experience true emotion for the first time.
Assistant Director:
George Ebro
Boom Operator:
Joseph St. Onge
Cinematography:
Fenn David
Construction Coordinator:
Alyssa Roe
Construction Grip:
Savanah Garcia
Costume Assistant:
Carly Ryan
Costume Design:
Jinx Kenyon
Decorator:
Drew Hart
Director:
Dawson Cifarelli
Editor:
Reagan Ryman
Foley Artist:
Jo Romano
Graphic Designer:
Jess Mays
Music:
Andrew Cronin
Producer:
Brandon Shin
Sheridan McCoy
Production Design:
Dawson Cifarelli
Gretchen Fix
Property Master:
Amanda Beer
Jess Mays
Script Supervisor:
Lauren Henderson
Sound Designer:
Joseph St. Onge
Sound Effects Editor:
Jo Romano
Ben Weigel
Sound Mixer:
Joseph St. Onge
Sound Re-Recording Mixer:
Rayne Beckman
Chris Stucker
Sound Supervisor:
Chris Stucker
Special Effects Makeup Artist:
Bridget Kachoogian
Writer:
Dawson Cifarelli
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.