A work in constant progress (and occasional regress).
Release Date:
May 5, 1989
Original Title:
How to Get Ahead in Advertising
Alternate Titles:
Cómo triunfar en publicidad
Genres:
Comedy | Drama | Fantasy
Production Companies:
Handmade Films
Virgin Films
Production Countries:
United Kingdom
Ratings / Certifications:
DE: 16 US: R
Runtime: 95
Pressure from his boss and a skin-cream client produces a talking boil on a British adman's neck.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Art Direction:
Henry Harris
Assistant Director:
Peter Kohn
Melvin Lind
Assistant Editor:
Pat Brennan
Paula Connor
Kevin Lane
Best Boy Electric:
Brian Martin
Boom Operator:
Trevor Rutherford
Camera Loader:
Adam Cooper
Camera Operator:
Bob Smith
Casting Director:
Lucy Boulting
Co-Producer:
Ray Cooper
Construction Manager:
Alan Chesters
Costume Design:
Andrea Galer
Dialogue Editor:
Paul Smith
Director:
Bruce Robinson
Director of Photography:
Peter Hannan
Editor:
Alan Strachan
Electrician:
Alan Grosch
John Turner
Ronnie Rampton
Andrew McDade
Executive Producer:
George Harrison
Denis O'Brien
Focus Puller:
Stefan Stankowski
Gaffer:
Reg Parsons
Grip:
Luke Quigley
Hairdresser:
Sue Love
Location Manager:
Gill Case
Makeup Designer:
Peter Frampton
Original Music Composer:
David Dundas
Rick Wentworth
Producer:
David Wimbury
Production Accountant:
Bobby Blues
Production Coordinator:
Valerie Craig
Production Design:
Michael Pickwoad
Production Manager:
Kathy Sykes
Production Runner:
Lynn Hoey
Production Secretary:
Stephanie Clark
Property Buyer:
Dennis Maddison
Property Master:
Bruce Bigg
Script Supervisor:
Sally Jones
Sculptor:
John Blakely
Set Decoration:
Robyn Hamilton-Doney
Sound Editor:
Alan Paley
Sound Mixer:
Clive Winter
Still Photographer:
Sophie Baker
Unit Publicist:
Libby Shearon
Wardrobe Master:
Heather Williams
Writer:
Bruce Robinson
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.