A work in constant progress (and occasional regress).
Release Date:
January 1, 2008
Original Title:
Following Your Heart Can Lead to Wonderful Things
Production Countries:
United Kingdom
Ratings / Certifications:
N/A
Runtime: 6
Following Your Heart uses off-air adverts and minor films. The central conceit is to take found footage and manipulate it into a new artistic experience. The adverts all relate to the heart in some way, either through health or in the usual capitalistic fashion asking people to consume by appealing to their emotions. A variety of adverts are used, ranging from the mobile campaigns, credit cards, bread, new DVDs, to Fantastic Voyage, the classic film about a miniature craft inserted into some poor souls blood stream. Yet, as the piece intimates, following your heart does have consequences – it is not something we can always do – in shops or in life. The messages start to collide and contradict.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.