The White Rose of Hong Kong (1965) [N/A]

Release Date:
August 25, 1965

Original Title:
香港の白い薔薇

Alternate Titles:
Hong Kong-Tokyo 999
Honkon no shiroibara
香港の白い薔薇
香港白薔薇

Genres:
Crime | Drama | Thriller

Production Companies:
Cathay Studios
Motion Picture & General Investment Co., Ltd.
TOHO
Taiwan Film Studio

Production Countries:
Hong Kong | Japan | Taiwan

Ratings / Certifications:
 N/A

Runtime: 110

Narcotics officer Matsumoto’s investigation into a drug smuggling ring leads him from Tokyo to Hong Kong, where personal ties and painful secrets unravel a complex web of betrayal. As love, family, and justice collide, Matsumoto must face a truth too deep to escape—and a loss too great to mend.

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Accounting Supervisor:
Yoichi Umeura

Art Department Assistant:
Hirotoshi Aramaki
Tsuneo Shimura

Art Department Manager:
Shigekazu Ikuno

Art Department Production Assistant:
Tomijiro Ando

Assistant Director:
Takashi Nagano
Kunmei Takahashi
Hiroyasu Sunahara

Camera Department Manager:
Shinsaku Uno

Camera Production Assistant:
Kiyoshi Hasegawa
Tamio Matsuo

Costume Designer:
Yoshiko Samejima

Director:
Jun Fukuda

Director of Photography:
Shinsaku Uno

Editor:
Ryôhei Fujii

Hair Supervisor:
Yoshiko Matsumoto

Lighting Director:
Toshio Takashima

Lighting Production Assistant:
Shozo Haneda

Manager of Operations:
Chisato Hasunuma

Original Music Composer:
Sadao Bekku

Original Story:
Shinobu Hashimoto

Producer:
Masumi Fujimoto
Yeung Chiu
Kenichiro Tsunoda

Production Manager:
Hidehiko Eguchi

Production Secretary:
Yasushi Sakai

Prop Designer:
Hideo Kawahara
Nobuyoshi Tokutake
Kiyoshi Suzuki

Props:
Akio Nojima
Takahiro Tamura
Akio Tashiro

Publicist:
Hiroshi Honma

Recording Supervision:
Takako Kobayashi

Screenplay:
Ichirō Ikeda

Sound:
Masao Fujiyoshi

Sound Assistant:
Sashida Zan
Kazuo Miyauchi
Teiichi Saitô
Akasaka Attack

Sound Editor:
Hisashi Shimonaga

Still Photographer:
Takashi Iwai

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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