A work in constant progress (and occasional regress).
Release Date:
May 18, 2025
Original Title:
Eraserhead в плетена торба за пазар
Alternate Titles:
Eraserhead dans un Filet à Provisions
Genres:
Drama
Production Countries:
Bulgaria
Ratings / Certifications:
N/A
Runtime: 19
In the slow, sticky summer of late-90s Eastern Europe, twelve-year-old Ro sets out to procure a pirated copy of Eraserhead by David Lynch. Her journey—through crumbling friendships, stolen cigarettes, and VHS-era power games—unfolds in a world where childhood slips quietly into something else, and cinema becomes the only available glimpse of escape.
Boom Operator:
Mattias Larsen
Casting:
Yoana Ilieva
Color Grading:
Nadia Khairat Gomez
Coordinating Producer:
Deyan Krastev
Costume Assistant:
Storyan Tanev
Costume Design:
Eka Bichinashvili
Creative Consultant:
Antonia Milcheva
Data Management Technician:
Petar Tuhchiev
Director:
Lili Koss
Director of Photography:
Adrian Angehrn
Editor:
Petar Tuhchiev
Electrician:
Vladimir Varadinov
First Assistant Camera:
Angel Balakchiyski
First Assistant Director:
Philip Andreev
Gaffer:
Dimitar Liubomirov Petrov Zeiss
Grip:
Velizar Dzhabrailov
Hair Department Head:
Katerina Savova
Key Grip:
Mario Popov
Producer:
Vanya Rainova
Production Assistant:
Nikola Banov
Production Design:
Stela Stoyanova
Production Designer:
Elena Stumbova
Production Manager:
Rosen Ignatov
Script Supervisor:
Emanuela Dimitrova
Second Assistant Camera:
Yonko Balevski
Second Assistant Director:
Elena Radeva
maria simeonova
Set Buyer:
Stivan Chokalov
Set Dresser:
Milen Donchev
Kristian Dolumdziyski
Set Photographer:
Svetoslav Stoyanov
Sound Designer:
Mattias Larsen
Sound Mixer:
Tsvetelina Vulkova
Title Designer:
Nikol Decheva
Video Assist Operator:
Todor Tsanev
Writer:
Lili Koss
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.