A work in constant progress (and occasional regress).
Release Date:
February 20, 2012
Original Title:
After Psycho Shower
Production Countries:
South Korea
Ratings / Certifications:
N/A
Runtime: 12
SCREENING VERSION 16mm triple projection, “After Psycho Shower”, which deconstructs the famous shower-murder scene from Hitchcock’s “Psycho”, frame by frame, and concludes in melting and burning of film itself after the obsessive repetition of it, aiming at renewal of the cultural memory of this well-known images into audio-visual ‘experience’. The soundtrack of this expanded ‘horror’ cinema performance consists of noise music, which unconsciously ambushes the audience. “After Psycho Shower” is the piece that (dis)unites the relation between sound and image in horror cinema, previously severed by digitalization of the both, in an indeterminate and contingent way of improvised audio-visual performance.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.