A work in constant progress (and occasional regress).
Release Date:
April 25, 1966
Original Title:
Рабочий поселок
Alternate Titles:
Cité ouvrière
Rabochiy posyolok
Рабочий посёлок
Робітниче селище
Genres:
Drama
Production Companies:
Lenfilm
Production Countries:
Soviet Union
Ratings / Certifications:
N/A
Runtime: 130
Leonid Pleshcheyev returned from the war blind. Against his will, he became a dependent. He drowns his grief in unrestrained drunkenness, thereby tormenting his wife Mariya and his teenage son Lyonka. Mariya finally decides to take her son and leave for Altai, but the boy runs away and returns to his father. So, together, they eke out a half-miserable existence until Grigoriy Shalagin, Pleshcheyev's longtime friend, returns from the army. It is he who awakens in Leonid the extinct self-esteem and pride of a soldier. Pity aside, he helps him get back to work.
Assistant Camera:
Anatoliy Kudryavtsev
S. Filanovskiy
Assistant Director:
Aleksei German
Assistant Production Design:
A. Rappoport
Camera Operator:
Semyon Ivanov
S. Ivanov
Sergei Ivanov
Costume Design:
Vilya Rakhmatulina
Director:
Vladimir Vengerov
Director of Photography:
Genrikh Marandzhyan
Editor:
Stera Gorakova
First Assistant Director:
I. Golynskaya
V. Perov
Lyricist:
Gennady Shpalikov
Makeup Artist:
Yevgeniya Boreyko
Novel:
Vera Panova
Original Music Composer:
Isaac Schwarts
Producer:
Mikhail Gendenshteyn
Production Design:
Viktor Volin
Script Editor:
I. Kuzmichyov
Kheyli Elken
Second Assistant Director:
Yevgeni Tatarsky
Set Decoration:
V. Timofeyev
Sound Director:
Yevgeni Nesterov
Special Effects:
Mikhail Pokrovsky
Third Assistant Director:
Otar Dugladze
VFX Artist:
Lev Kholmov
VFX Director of Photography:
Mikhail Pokroskiy
Writer:
Vera Panova
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.