A work in constant progress (and occasional regress).
Original Title:
51/50
Genres:
Drama
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 15
Blake, a hopeless teenage girl struggling with suicidal ideation, is involuntarily sent to a psychiatric ward for a 72-hour hold after attempting to kill herself. Blake is forced to come to terms with her past as her mind increasingly becomes detached from reality. With the help of fellow patients and a devoted nurse, Blake can accept that she needs help.
Art Department Assistant:
Grace Luo
Catherine Moberly
Nic Fernandez
Micah González
Jada Wilder
Jake Silber
Mirabelle Fischer
William Hudelson
Genevieve Zix
Art Direction:
Riley Anderson
Assistant Art Director:
Emily Lawson
Best Boy Electric:
Jake Ajamian
Ernest Govea
Boom Operator:
Olivia Shull
Elise Raffiani
Eva Petrossian
Colorist:
Harrison Gaushell
Costume Design:
Ashleigh Hahn
Digital Imaging Technician:
Emma Lee
Director:
Crislyn Zoe
Director of Photography:
Harrison Gaushell
Driver:
Zola Franchi
Sage Morris
Editor:
Emma Lee
First Assistant Camera:
Aaron Yang
First Assistant Director:
Emma Latcham-Reiter
Gaffer:
Justin Lee
Graphic Designer:
Ivanna Tjitra
Yandel Salas
Micah González
Grip Production Assistant:
Alexander Daniels
Su Lwin
Key Grip:
Max Savage
Location Manager:
Christian Weissmann
Makeup Artist:
Katie La Cava
Music:
Ben Davidson
Producer:
Luke Buchanan
Producer's Assistant:
Mayane Dahan
Production Assistant:
Ava Devoe
Matthew Pincus
Tad Lambert
Ayoni Akinwande
Production Coordinator:
Ember Draffin
Production Design:
Kristen Ratnaparkhi
Props:
Kalimah Gardner
Script Supervisor:
Jordan Smaha
Second Assistant Camera:
Kyle Namie
Second Assistant Director:
LJ ShenFilerman
Set Decoration:
Emerald Westlake
Sound Designer:
Chloe Lim
Sound Mixer:
Chloe Lim
Unit Production Manager:
Ayanna Lopez
Writer:
Crislyn Zoe
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.