A work in constant progress (and occasional regress).
Release Date:
August 16, 2012
Original Title:
The Best of Men
Alternate Titles:
els millors homes
Genres:
Drama | History
Production Companies:
BBC
Whitby Davison Productions Ltd.
Production Countries:
United Kingdom
Ratings / Certifications:
BR: 14
Runtime: 90
Ludwig Guttmann, a renowned German neurosurgeon who fled Nazi Germany in the early days of WWII, takes a position at Stoke Mandeville Hospital in Buckinghamshire, England in 1944 and begins to transform the lives of his patients, paralyzed soldiers that have been written-off and who are facing death from neglect. A breakthrough comes when Dr. Guttmann introduces sport into their rehabilitation, a breakthrough that leads to the founding of the Paralympic Games.
Casting:
Toby Whale
Colorist:
Tony Osborne
Costume Design:
Emma Fryer
Dialect Coach:
Roisin Carty
Director:
Tim Whitby
Director of Photography:
Matt Gray
Editor:
Dave Thrasher
Executive Producer:
Matthew Read
First Assistant Director:
Jon Older
Foley Artist:
Richard Hinton
Foley Recordist:
Brian Moseley
Gaffer:
Paul Jarvis
Line Producer:
Tracie Wright
Makeup & Hair:
Siân Miller
Makeup Artist:
Nicky Austin
Makeup Designer:
Carol Cooper
Original Music Composer:
Mark Russell
Producer:
Harriet Davison
Production Design:
Sarah Hauldren
Second Assistant Director:
Will Cummins
Sound Effects Editor:
Roy Noy
George Fry
Still Photographer:
Laurence Cendrowicz
Stunt Coordinator:
Tom Lucy
Third Assistant Director:
Russell Dewulf Booth
Visual Effects:
Chris Gunningham
Writer:
Lucy Gannon
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.