A work in constant progress (and occasional regress).
Release Date:
April 9, 2025
Original Title:
Love, Links, Archives: Gems from the Wendy Clarke Collection
Ratings / Certifications:
N/A
Runtime: 77
Wendy Clarke presents a vibrant program of her groundbreaking video art, curated from her collection at the Wisconsin Center for Film and Theater Research. Clarke’s participatory videos reflect a massive range of human experience and feeling, from tear-jerking reflections on modern romance, to teenagers video chatting in the dawn of the internet age, and a friendship documented through video correspondence in One on One. With rarely seen tapes recorded at locations including the World Trade Center, Los Angeles high schools, and a men’s prison in Chino, California, Clarke’s projects intimately document diverse perspectives on American life and culture from the 1970s through the 1990s.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.