A work in constant progress (and occasional regress).
Original Title:
O Tempo das Cerejas
Ratings / Certifications:
N/A
Runtime: 22
O que eu vi quando me mostraram a ecografia não acreditei. Dentro do meu útero havia milhares de minúsculos seres, com forma de aranha mas de corpo tenro e flexível. What I saw when the ultrasound was shown to me, I couldn't believe. Inside my uterus there were hundreds of tiny creatures, shaped like spiders, but of flexible and tender body.
Art Department Assistant:
Alice Almeida
Inês Guarda
Laura Crespo
Art Direction:
Francisco Mendonça
Assistant Camera:
Laura Crespo
Assistant Editor:
Inês Guarda
Assistant Gaffer:
Lilli Biller
Boom Operator:
Henrique Zamith
Camera Operator:
Maria Sá
Colorist:
Rodrigo Gaspar
Continuity:
Madalena Oliveira
Director:
Clara Parente
Director of Photography:
Beatriz Oliveira
Dresser:
Tiago Tiza
Editor:
Alice Almeida
First Assistant Art Direction:
Catarina Acciainolli
First Assistant Director:
Catarina Acciainolli
Gaffer:
Bernardo Magalhães
Grip:
Beatriz Silva
Hair Department Head:
Alice Almeida
Head of Production:
João B. Pedro
Post Production Supervisor:
João B. Pedro
Producer:
Rodrigo Gaspar
Production Assistant:
Guilherme Martins
Maio Afonso
Joaquim Simões
Prop Designer:
Paulo Oliveira
Clara Parente
Beatriz Oliveira
Property Master:
Nicolau Botequilha
Script Consultant:
Maria Neves
Second Assistant Director:
Maria Neves
Sound Assistant:
Nico Diegues
Sound Director:
Helena Firme
Sound Mixer:
Helena Firme
Still Photographer:
Nicolau Botequilha
VFX Artist:
Lilli Biller
Writer:
Madalena Oliveira
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.