A work in constant progress (and occasional regress).
Release Date:
April 20, 2025
Original Title:
IMAGE BREAKER 1970s CINEFEMINISMS
Ratings / Certifications:
N/A
Runtime: 9
Initially created for a new alternative distribution network, Miss Video 4U, modeled after the 1990's Joanie4Jackie video chain letter, IMAGE BREAKER explores the history of the Big Miss Moviola/Joanie4Jackie series to take viewers further back to the mid 1970s when another, less well known, feminist video exchange took place, International VIDEOLETTERS. Then 27 feminist media groups participated in a two year bi-monthly video exchange. After giving a brief introduction through clips and art work, this less than ten minute video quickly explores 13 other 1970s feminist media that are MISSING / UNKNOWN / UNSHOWN. Spunky and quirky, the work could evolve into a Feminist/Gender and Cinema Studies teaching tool and put some of this germinal feminist work back on the cinema history map.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.