A work in constant progress (and occasional regress).
Release Date:
January 1, 2024
Original Title:
Cosmografias
Genres:
Science Fiction
Ratings / Certifications:
N/A
Runtime: 94
Maori astrobiologist Xuê Noon (Victoria Hunt) finds solace in Mars in 2051 as a leader from the Aotearoa Space Agency on an international scientific mission, following the discovery of dormant microorganisms by the NASA Mars Sample Return Mission in 2039. Xuê wanders across this sentient planet and reflects on the newly found lifeforms as she grows plants in a glasshouse. Through the spirit of an ancient taniwha, she slipstreams in spacetime to the Atacama Desert in 2023 where she lived as an Indigenous scientist years earlier. In Atacama the film engages with numerous ongoing life-and-death struggles for land and water justice led by Indigenous communities, activists, and scientists in this old, vital yet scarred desert. Through interviews and conversations, the film depicts centuries old and ongoing forms of social injustice and ecological degradation to weave a critical allegory against the renewed commercial impulse of a new space age rampaging in the 2020's.
Camera Operator:
Juan Francisco Salazar
Costume Design:
Flora Vilches
Boris Bagattini
Matthew Stegh
Samara Davis
Victoria Hunt
Juan Francisco Salazar
Director:
Juan Francisco Salazar
Editor:
Rowena Crowe
Executive Producer:
Juan Francisco Salazar
Alejandra Canales
Field Director:
Victoria Hunt
Valentina Figueroa
Location Sound Recordist:
Moe Clark
Juan Francisco Salazar
Music:
James Peter Brown
Sound Designer:
James Peter Brown
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.