A work in constant progress (and occasional regress).
Original Title:
Come la vita - Storie private della critica cinematografica italiana
Genres:
Documentary
Production Companies:
Doruntina Film
Production Countries:
Italy
Ratings / Certifications:
N/A
Runtime: 70
For at least three generations of viewers, cinema has been like life: a motive for work, relationships, conflict, politics, and pleasure. The documentary, based on original interviews with critics active between the 1950s and the present day, evokes the places, rituals, professional routines, gender relations, and polemical and social dimensions of Italian film criticism. Not only a profession, but above all a discovery of the world through films, yesterday as today.
Cinematography:
Stefano Cattini
Director:
Irene Gallina
Mix Technician:
Irene Gallina
Screenplay:
Michele Guerra
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.