A work in constant progress (and occasional regress).
Release Date:
March 31, 2025
Original Title:
Elegia
Genres:
Drama
Production Companies:
Escola de Comunicações e Artes, Universidade de São Paulo
Independente Filmes
Production Countries:
Brazil
Ratings / Certifications:
N/A
Runtime: 23
A lonely lawyer is run over in front of the Consolação Cemetery, in São Paulo. Dead, he tries to get into the cemetery, but is impossible.
Additional Photography:
Celina Filgueiras
Nandê Caetano
André Quevedo Pacheco
Assistant Director:
Alex Brito
Assistant Sound Editor:
Mateus Fridman
Boom Operator:
Eduardo Valle
Colorist:
Wesley Yamaguchi
Continuity:
Joana Melão
Director:
André Quevedo Pacheco
Director of Photography:
Júlia Bernardes
Editor:
Murilo Pedroza
Electrician:
Anderson P. Silva
First Assistant Art Direction:
Carolina Wieck
Eliza Portas
Nilton Silva
First Assistant Camera:
Ismael Pereira
Anderson P. Silva
Caio Marques
Fernando Aquiles
Victor Borges
Machinist:
Anderson P. Silva
Producer:
Enzo Kruschewsky
Production Assistant:
Anna Grandchamp
Bruno Camargo
Carol Kuahara
Davi Medeiros
Production Coordinator:
Susane Santos
Production Design:
Izzy Rodrigues
Andressa Viena
Screenplay:
André Quevedo Pacheco
Enzo Kruschewsky
Second Assistant Camera:
Daniela Seles
Jade Cardoso
Will Costa
Second Assistant Director:
Alexandre Dkriwat
Pedro A. Vidal
Sound:
Mariana Franco
Sound Assistant:
Juliana Machado
Sound Designer:
Laís Vallina
Sound Mixer:
Laís Vallina
Sound Recordist:
Helena Zobaran
Still Photographer:
Theo Gama
Pedro A. Vida
Title Designer:
Miguel Moreno
Transportation Captain:
Marco Antonio Filipini
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.